The Study On Sculptures Of The 24 Stories Of Filial Piety And The Practice Of Mural Creations In Qing Dynasty Tombs In Sichuan

People in ancient and modern China attach great importance to filial piety and compile relevant documents for universal education.The most famous "twenty-four filial piety" story is a highly concentrated product of Chinese traditional culture,and also a common theme of folk art."Twenty-four filial piety" is not only conducive to people’s examination of "filial piety",but also conducive to the inheritance and development of filial piety culture.Later,"twenty-four filial piety" began to appear in various forms,the most typical of which is to introduce art creation,through the form of painting,twenty-four filial piety for communication.There are many forms of painting,among which tomb stone carvings are closely related.In this paper,from the perspective of the study of the "twenty-four filial piety" stone carvings in the tomb of Qing Dynasty in Sichuan Province,the main research object is the figure modeling and spatial layout.Combined with the characteristics of ancient frescoes,the modeling of tomb stone carvings in Qing Dynasty is combined with ancient frescoes to further explore the cross interaction between frescoes and stone carvings.