Survey And Research On Kazak Terme In The Barkol Kazak Autonomous County

As Edward Taylor said in "The Barren Visitor-Malinowski","Culture is the knowledge and beliefs,art,law,morals,customs,and all the abilities and habits needed to become a part of society." Projects and the complexes formed together.” The Kazak people absorbed the cultural connotations of the surrounding ethnic groups during the long historical evolution and the process of migration and migration,combined with the traditional culture of the nation,and created a unique Kazak national culture.There are four types of music in the Kazakh people in different historical periods: Kazak folk songs,Akan Aytis,songs in the Kazak life etiquette,and Terme.Terme is one of the earliest forms of folk art in the Kazak community.Terme Kazak transliteration,meaning "finding essence","selection","collection",is an "admonishment" in Kazak proverbs,maxims,poetry,or other literary works,accompanied by melody singing.song".From the folk sayings,aphorisms,aphorisms,and rumors,TermeQi extracts material,uses popular and beautiful poetic language to express his love and understanding of nature,teach life experiences,and inspire and educate the general public.According to the historical records,the origin of the Iron Maie can be traced back to the 8th century to the 9th century,that is,the Uzhe Khan period of the Kazak Kapchak tribe.The earliest communicative form of the Kazak ancestors was “Horute”.He was famous in the language of philosophizing and singing in the form of revelation to the people.With the changes of the times,most singers gradually withdrew from the stage with the weakening of their social functions and the reduction of people’s attention.It is sang by a single person under the accompaniment of Dongbula or Kubucha.According to the content of the lyrics,they can be divided into categories of trustworthy objects,warnings,warnings,education,blessings and praises;according to their meanings,they can be divided into biographical,narratable,pleading,and philosophical;according to the forms of expression and music structure,they can be divided into Singing and narrative.On June 7,2008,Terme was approved by the State Council to be included in the second national intangible cultural heritage list,and it has gradually become a representative art form of Kazak music.At the same time,the government has also started to formulate a series of protection plans and inheritance methods for Tiemai in Barkol.Schools and other training institutions have also conducted related studies,which has further enlarged the artists and performance venues of Terme to make Terme Once again entered a new period of history.This paper investigates the status quo of the development of the “Inner Mongolian” intangible cultural heritage of the Kazak nationality in Kazak Autonomous County,Hami,Xinjiang,and focuses on the study of the musical structure,modulation and melody development of Terme.Inherit the status quo,heritage and inheritance characteristics,and put forward ideas and suggestions for future generations to provide a theoretical basis for the study of Barkol.