Study On Cultural Change Of Xibo Yangko Dance

Xibo yangko is an important part of xibo culture and art,which conveys the spirit of xibo people through body language.Due to the influence of the cultural history and living environment of xibo nationality,the xibo yangko is influenced by many cultures while its own cultural changes,so it forms a unique dance culture style.Xibo nationality yangko was xibo westward in front of shengjing(now shenyang)local full under the influence of han culture,learning the han folk dance yangko this form,and after moving west xinjiang ili,constantly absorbing the elements around other ethnic dance moves and integrated into the national dance moves element,gradually formed a distinct from other folk dance yangko's unique art form.The xibo yangko dance is the best embodiment of the changes and integration of xibo culture.Carrying the xibo nationality yangko xibo nationality cultural spirit,has been developed hundreds of years embodies the folk dance of deep cultural connotation,but also show the xibo rich,inclusive of diverse characteristics of national art,but in recent years,xibo yangko to failure because of various reasons,the gradually faded,regret not only xibo nationality dance culture,is also the Chinese national folk dance culture of regret,the author to xibo yangko as the research object,placed the field investigation in the xinjiang uygur autonomous region ili kazak autonomous prefecture qapqal xibe autonomous county.Target major comb in the 1930 s(the literature about the xibo nationality yangko rare,so the author attempts to adopt the method of field research to research the xibo nationality yangko line and field interview objects as far as can be traced back to the 1930 s,so I decided to start from this period for the study of xibo nationality yangko)of the xibe nationality yangko,how to change through the xibo nationality dance culture,and the analysis of the predecessors' research results,combined with the literature data and field investigation,the qapqal xibe autonomous county of different ages,different social identity of xibe people to interview,This paper attempts to discuss the changes of xiboyangko in the past century,and analyzes the reasons for the changes of xibo yangko from the perspective of its own national development and multi-ethnic cultural integration.The structure of this paper is as follows:Introduction: the reason and basis of the topic selection,the purpose and significance of the topic selection,the research status at home and abroad,and the research methods are described.Part two: briefly introduce the background and historical origin of xibo yangko.The third part: on the basis of field investigation,through the analysis of the form,performance venue and function of yangko from the 1930 s to the present,this part explores the "what has changed" and "how" during the development of xibo yangko in the past hundred years.Part four: through the comparative analysis of performance forms and music types of xibo yangko and handuchun,it is concluded that xibo yangko and handuchun belong to two different arts.The fifth part: analyzes the causes of the change of xibo yangko from the perspective of its own social change and multi-ethnic cultural borrowing and integration.The sixth part: through the analysis of the present situation and potential crisis of xibo yangko inheritance and protection,the constructive Suggestions are put forward for the protection and inheritance of xibo yangko.Conclusion: this paper summarizes the whole paper,and expounds the author's understanding of the phenomenon of cultural change of xibo yangko.