Homelessness,Home Searching And Leaving Home:On The "Homeland" Writing Of Haizi’s Poems

Haizi,who died on the track near Shanhaiguan on March 26,1989,is one of the most mythical poets in contemporary Chinese poetry.During his short writing period,Haizi left a large number of lyric poems,long poems,poetics notes,and the experimental "Sun Seven Books." Haizi’s poetry is rich in topics such as the theme of the earth,the theme of death,the theme of love,and the theme of the gods.This thesis attempts to find out the theme of "homeland" in Haizi’s poetry based on the poetry text,based on the poetry text,and the literar y and social development reality.clue.In the process of Haizi’s "homeland" construction,there are many images with strong prototypes in his poems,so the related prototype theory can be used as a theoretical reference for studying Haizi poetry.Looking at Haizi’s poetry creation,the path of the theme of "homeland" and his actual writing process are two parallel clues.Therefore,by analyzing the evolution of Haizi’s poetry,the poet’s spiritual home can be clearly integrated-including the "mother" The whole process of self-identification and self-disintegration in the three parts of homeland,love home and poetry garden.The first chapter analyzes the internal and external factors that influence Haizi’s poetry creation and finds out the cause of the theme of "homeland".First,Haizi spent a poor childhood in Chawan Village,Anhui Province.This survival experience prepared the initial writing resources for his future poetry creation.Second,Haizi’s extensive involvement in Western modern philosophy and religion during his university deepened Haizi’s understanding of life and poetry,and was a key element in the formation of his poetry’s “spiritual enlightenment”.Third,Haizi’s sensitive and thoughtful personal temperament and the ability to construct and deconstruct genius have made him think more deeply about the individual spiritual home.The former two are the external factors of Haizi’s writing,the latter is the internal factor.The former two are integrated through the latter’s self-game,and the theme of the "homeland" of his poetry is also highlighted during the integration process.The second chapter discusses Haizi’s construction of "homeland" through the analysis of a series of prototype images.Haizi uses poetry as a channel to reach his spiritual Utopia,and through the "seeking physical contact",mobilizes all the "entities" that can produce "contact" into the poems,as various elements of building "homeland." There are many images in Haizi’s poems,each with its own meaning,but the image is not separated,but it forms a system of imagery with a strong utopian color.This paper selects six representative images of “water”,“village”,“moon”,“wild flower”,“sun” and “horse” to make a note for Haizi’s “mother” home,love home and poetry garden.The third chapter discusses the crisis faced by Haizi’s "homeland" construction from two aspects of reality and creation.In the sober anxiety,Haizi gradually developed the "wandering consciousness" on the road."Wandering consciousness" is the reverse extension of "homeland consciousness",from optimistic "construction" to relatively pessimistic "wandering",Haizi pair The search for homeland ultimately points to nothingness.This kind of emptiness consists of three aspects: one is the utopia of the “motherhood” home,the second is the inevitable love tragedy,and the third is the dawn of poetic ideals.Haizi’s death has been 30 years old.After 30 years,Haizi’s poetry is still being reprinted in one edition,becoming an enlightening text for many poetry lovers to approach poetry.In addition to the charm of his poems,Haizi’s attention to individual spiritual homes is another more important reason.Haizi seeks divine return,and is deeply saddened by the wandering of the contemporary soul and the loss of his homeland.His poetry is almost a utopian imagination.Although Haizi’s poetry experiment ended in death,his noble idealistic qualities and the spirit of poetry conveyed can still serve as a harsh mirror for today’s literary world and even society.At the same time,when readers "use" Haizi to satisfy the imagination and expectation of "genius poet",they should also liberate the poet from "Haizi myth" and find Haizi more as a "general" poet.The traits that are possessed are to avoid the “idealism” screaming camp that flows through the clouds.