A Study Of Liang Qichao's Heroic Image Writing

The heroic image of Liang Qichao became the embodiment of the national soul of revitalizing the nation and turning around the times in the frustration of military politics at the end of the Qing Dynasty and the beginning of the Republic of China,and also became the concrete symbol of the enlightenment of the new people.This turning point gave birth to the heroic image in Liang Qichao's brand-new view of heroic history,writing novels,poems and biographies.The internal reason of his "hero" image writing involves the imagination of the nation,the enlightenment of the new people and the view of political literature and art,which should become an important landscape in the history of modern cultural thought.This paper takes Liang Qichao's heroic image writing as the research center,takes his world consciousness as the starting point,and then extends to the heroic figures in his heroic biographies,poems and novels,as well as his key expositions on casting the new people in the late Qing Dynasty and the early Republic of China.Elaborate on the above content.The full text is divided into three chapters: first,the national hero in the establishment of Liang Qichao's modern state concept;second,the hero of the new people in Liang Qichao's Enlightenment discourse;third,Liang Qichao's view of literary and artistic enlightenment and the heroism of the poet Byron.First of all,this paper analyzes that under the germination of world consciousness,Liang Qichao created the heroic images of "national hero" and "Han hero" pointing to both the future and the past,intertwined with each other because of the uncertainty of the national boundary.This paper reveals the relationship between Liang Qichao's "hero image" and "national imagination",and studies Liang Qichao's rewriting and reconstruction of the local hero image.Then,following and studying the influence of the Japanese samurai spirit on saving the country,Liang Qichao highlighted the "martial power" of the heroic image,and brought it into the exposition of the new people to cultivate "people's strength" in response to the ideological trend of national education in the army,writing the image of a revolutionary hero in a foreign country.However,this heroic writing of the new people has exposed two problems: first,the intensification of revolutionary violence hinders the construction of the heroic image,and the effect of the new people is alienated as the power of the people is greater than the wisdom and morality of the people;Second,the self-blooming subjectivity of the new people's heroes-the side of"heroes creating the times" is suppressed,not to mention the enlightenment way of removing deceit from the West and rationally criticizing the self.The last chapter studies the heroism of Liang Qichao.The poet Byron was rebuilt and misread as a national hero by Liang Qichao and suppressed as the first identity of the poet.Compared with Su Manshu's Byron image,we will find that this involves Liang Qichao's view of literary education and fails to deal with the coordination of aesthetic emotion and political emotion.To sum up,the heroic image of Liang Qichao was constantly portrayed,adjusted and rewritten for the practical purpose of saving the country and rejuvenating the country and the value orientation of political consciousness at that time.The heroic image of Liang Qichao reveals his internal agitation and antagonism between Chinese and Western political and cultural ideas.