Research On The Application Of Xinjiang Music Elements In The Creation And Performance Of Pipa Works

Pipa,as a traditional plucked instrument in East Asia,has a history of more than2000 years.In the thousands of years of national cultural exchange and integration,Pipa art with Chinese characteristics has been formed.In the history of China,Pipa had a high development in Xinjiang.In the 1980 s,Xinjiang music circle raised the issue of reviving Pipa music in Xinjiang.After that,a group of composers and performers in Xinjiang Style Pipa works creation,adaptation and performance techniques and other aspects of in-depth exploration.In this paper,three Xinjiang Style Pipa works "spring of Tianshan","send me a rose" and "spring silkworm" are taken as the research objects,respectively,the creation background of Xinjiang Style Pipa works,the analysis of Xinjiang elements in the three works,the integration of traditional and modern Pipa performance techniques,and the reference for the future development of Pipa art.By analyzing three Pipa works,this paper discusses the application of Xinjiang music elements in Pipa works.The structure and main contents of this paper are as follows:Introduction: This paper makes a detailed description of the research significance of this paper,makes a relevant understanding of the research status of this paper at home and abroad,starting from the innovation points and difficulties of the research,introduces the research methods adopted in this paper,and provides a clear context for readers to read this paper.The first chapter: Xinjiang music overview,using the literature research method,mainly from Xinjiang music style,Xinjiang music elements and three Xinjiang Style Pipa works creation overview of these three aspects are discussed.In this way,readers can understand what Xinjiang music elements are and the relationship and development between Xinjiang minority music and Pipa music.The second chapter analyzes the Xinjiang music elements in the three Pipa works.Starting from the music noumenon,this paper analyzes and studies the tonal scale,melody selection and style characteristics,musical structure,rhythm and rhythm of the three works "spring of Tianshan","send me a rose" and "spring silkworm",as well as the characteristics of imitating Xinjiang musical instrument timbre.From these fIve aspects,this paper analyzes the theoretical application of Xinjiang music elements in three works with strong Xinjiang ethnic minority style.Chapter three: the inheritance and innovation of Xinjiang Style Pipa works in performance skills.From the development of traditional performance techniques and the application of modern performance techniques,this paper discusses the application of Xinjiang music elements in Pipa works.Chapter four: the influence of Xinjiang Style Pipa works on the development of Pipa art.In order to better develop Pipa art in the future,this paper analyzes the current situation of Pipa art development and gives the future development direction.Xinjiang minority music plays an important role in the creation and performance of Pipa works.It not only enriches the pipa art,but also promotes the development of modern Pipa works.It plays an indispensable role in the creation of Xinjiang Style Pipa works and the innovation of performance skills.This paper will focus on the application of Xinjiang music elements in the three Pipa works and the perfect integration of Xinjiang music elements and Pipa works through the analysis of three Pipa works with the theme of Xinjiang Ethnic Minorities-"spring of Tianshan","send me a rose","spring silkworm",and try to explore the Enlightenment of Xinjiang music elements on the development of Pipa performance skills in the future.