The Research On The Musical Form And Inheritance Of Xiaoyi Piqiang Opera

The Xiaoyi Piqiang is one of the arias of the Xiaoyi shadow play.Because the old shadow was a bright shadow of a paper window made of hemp paper,the artist called it "paper window opera" or "paper window".On the one hand,Xiaoyi Piqiang has been circulating for a long time in the local area.It is an indispensable part of Xiaoyi’s art culture,and it also affects other art cultures on this land.On the other hand,the shadow play of Xiaoyi Piqiang is one of the important branches of Shanxi opera art,which has greatly enriched the drama culture of Shanxi.As a national intangible cultural heritage project,the research and inheritance of Xiaoyi’s shadow play has important significance for the development of the Chinese traditional culture.This article takes Xiaoyi’s local opera aria as the research object,and studies the formation and development of Xiaoyi Piqiang,the main body of the music,the contents of the opera new creation and the protection of inheritance based on desk documentation,personal interviews and field investigations.The article consists of four chapters.The introduction mainly states the purpose and significance of researching Xiaoyi Piqiang domestic research trends,research questions,thinking methods,and related concepts.The first chapter summarizes the geographical and cultural background of Xiaoyi Piqiang,historical evolution in time,and analysis of physical objects.The development course of Xiaoyi Piqiang shadow play and its rich physical relics are studied.The second chapter mainly analyzes the characteristics and application of traditional Xiaoyi Piqiang music on the basic and auxiliary plates,studies the main characteristics of shadow play singingstyles and singing structure,and summarizes the characteristics and application of the shadow play band’s specific compilation and accompaniment instruments..The third chapter analyzes the new music development and the use of Xiaoyi Piqiang in other art forms by comparing with traditional Xiaoyi Piqiang music.The fourth chapter analyzes the specific situation of the class community before and after liberation,analyzes the role of the troupe in the inheritance of Xiaoyi’s leather cavity,and expounds the artistic experience and specific activities of Xiaoyi Piqiang.The reason for the change of the inheritance method,and the epochal characteristics of the inheritance of Xiaoyi.In the concluding part,through a comparative study of Xiaoyi’s traditional shadow play music and newly created skin music,the general characteristics of Xiaoyi Piqiang music are summarized.It summarizes the combination and change of the performance form and vocal structure in the development of Xiaoyi Piqiang,and further draws the distinctive epochal characteristics of its diversified artistic fusion and inheritance.