A Study On The Status And Protection Of "Jue-yang" Music And Dance Artistic Remains In Kangnan Tibet

The art of "Jue-yang" music and dance in Kangnan Tibetan area,also known as Xu Long "Za Nie ",originated in Derong County,southwest of Ganzi Tibetan Autonomous Prefecture,Sichuan Province."jue-yang" music and dance art legend originated in the period of Zongqaba,with a unique background legend,dance style and music color.The future development of "Jue-yang" music and dance art has a long way to go,although we have taken a series of measures,but still appear small and meager.The precise protection of the art of "Jue-yang" is to protect A precious blood of the art of the Chinese nation is the concern,inheritance and record of the important historical resources of Kangnan Derong County.Through the in-depth exploration of the traditional lyrics,dance steps and rhythm,the detailed analysis and description of the accompaniment instruments,and the analysis of the problems encountered in the inheritance and development of the music and dance art of "Jue-yang ",the author makes every effort to explore more ways for the precise protection and development of the traditional music and dance art of the minority peoples in Kangnan area,so as to let more artists pay attention to the inheritance of the music and dance art of " Jue-yang ",so as to protect the historical connotation of the non-material cultural heritage of the music and dance art of "central sense ".The content layout of this article follows the following lines:Chapter one: ganzi tibetan autonomous prefecture "Jue-yang" music and dance art.This chapter is an overview of the historical background and legends of "Jue-yang" music and dance art,and a detailed description of the "Jue-yang" music and dance art,dance characteristics,dress characteristics,singing words content and accompaniment instrument "Za Nie ".Chapter two: the status quo and innovation of the art of "Jue-yang" music and dance.This chapter gives a comprehensive overview of the status quo of the "Jue-yang" music and dance art in terms of inheritance,innovation and improvement.Chapter three: the limitation and strategy of protection and inheritance.In this chapter,the author explains the present limitations of "Jue-yang" music and dance art,and puts forward corresponding countermeasures.