On The Image Of Gods And The Way Of God-making In The Ming Dynasty

The essays produced in the Ming Dynasty are the important historical texts that reflect the beliefs of folk gods since the Song and Ming Dynasties(especially in the Ming Dynasty).The book has been revised twice in the Yuanming version.According to the Confucianism,Buddhism,Taoism and Taoism,there are a total of 132 concubines.Through the analysis of his name,font size,family history,achievements,spells,weapons,historical seals and other information,you can see the distinctive features of the three gods: the orthodoxy of Confucianism,the magicalization and localization of Buddhist gods,and the magic of Taoist gods.And wandering.According to the characteristics of one hundred and thirty-two gods,they are roughly divided into thirteen kinds of god-making modes: Bingqi,Physiological,Dream,Toron,Bodhisattva,Fire,Autopsy,Encounter Odd,reincarnation,alchemy,inductive,devil,and sorcerer.In addition,the protagonist represented by "Drawing the Three Sources of the Three Sources of Search" has had an important influence on the later gods and the novel "Feng Shen Yan Yi" in the image of the gods and the gods.Through the exploration of the book,it can be seen that under the background of the overlordism of the Ming Dynasty and the integration of the three religions,the folk beliefs are quite flexible,adaptable and inclusive.