The Tragic Study Of Ann Hui’s New Century Women’s Films

As a female director,Ann Hui has an important position in the Hong Kong film industry and even the entire Chinese film circle.During his nearly forty-year creative career,director Ann Hui’s work has continuously explored and improved the film theme and theme,and finally formed his unique film creation style.This thesis is supported by the tragic theory of aesthetics.Taking Ann Hui’s new century female theme film as the research object,this paper discusses and analyzes the female theme films taken by Ann Hui after 2000,from three aspects: tragic protagonist,tragic conflict and tragic effect.Excavate the tragic connotation of these films and reveal the human experience and implications of Ann Hui’s female film in the new century.The tragic protagonists of Ann Hui’s new century female-themed movies are divided into two types: the lofty protagonist and the non-high tragedy protagonist according to the nature of the tragedy.The types of tragic conflicts can be summarized as the following four types: the conflict between man and destiny,the conflict between ideal and social reality,the conflict between reason and emotion,and the gender conflict between men and women.These four types of tragic conflicts show different tragic life of different women in different social environments.Finally,through the analysis of these tragic characters and the tragic conflicts,summed up the tragic effect of Ann Hui’s female film in the new century.Let the audience recognize the fate of impermanence and cherish life,pay tribute to the lofty ideal seekers and cause the society to reflect on the gender weakness of women.The tragic spirit of Ann Hui’s new century women’s film fully demonstrates her fate and emotions to women.Humanistic care of gender.