Analysis Of Method Of Percussion Fusion Performance In Percussion Concerto "Frozen In Time"

Avner Dorman is a famous Israeli composer and conductor whose musical works often contain a variety of percussion instruments and have a distinct Middle Eastern musical style.There are a wide variety of percussion instruments used,with emphasis on the combination of each percussion instrument.His work is the whole soul of the music with the rhythms that run through the whole song with national style characteristics,such as one of his representative works,the percussion duo <Udacrep Akubrad>.His works often properly and easily blend keyboard percussion instruments,traditional Western drum percussion instruments and national-style drum percussion instruments,so that the original popular rhythm of the rhythm of a new color.The performance tension of the percussion instrument in the song is stronger,the combination system is complete and full of new ideas.In this paper,the author will be based on the percussion concerto <Frozen in Time> in the various percussion instruments,the corresponding music fragment style appeared in the music,listed the sound range,tone and sound effects used in the music.Summarize the combination of keyboard percussion instruments used in the music,traditional Western drum percussion instruments and national-style drum percussion instruments and grouped according to the music.Inducted into the various groups of percussion instrument syndication,and keyboard percussion instrument group,drum percussion instrument group and keyboard percussion instrument group three fusion forms,with the combination percussion solo <rebounds> B music,Darius Milhaud <percussion concerto> and percussion duo <Udacrep Akubrad> to perform the difference severity analysis.Finally,in view of the characteristics and practical application of multi-percussion in this piece,the fusion performance method of keyboard percussion instruments,traditional Western drum percussion instruments and national-style drum percussion instruments is explored,and at the same time,it provides some theoretical support for the performance and development of the combined percussion.