On The Practice Research Of Paintings Based On The Subject Of Amber

Amber,the natural carved art treasure as well as the dazzling crystal of nature,which can fix the remote space-time and cross the time of hundreds of millions of years,contains the extremely high esthetics value.This topic observes and explores the aesthetic factors and creative performance value existing in amber from the aspects of historical value,regional distribution,body texture,color and its inclusion.The topic also focuses on the research of artistic connection between amber and paintings as well as discusses the corresponding aesthetic exploration and specific painting practice.On account of concern and expression of the subjects of nature and insect,this topic combines the western scientific paintings with the historical inheritance of traditional Chinese paintings of insects and extends the interaction and speculative relationship between man and nature based on the specific explosions and practice of insects,flowers,plants and other natural creatures.Combining the perceptual beauty of the art of painting with the rational beauty of the science of amber and transcending the boundaries of time,space and material,this topic opens up a new object of expression and a new field of creation in modern painting creation and tries this kind of old and novel subject in a rigorous manner to express the beauty of the art of amber.From different points of view to observe and practice,the beauty of paintings based on the subject of amber turns into abstract from concrete.Meanwhile,the hidden texture on the surface and inside of the amber are formed into dots,lines and faces,and the colors of the spots are gathered or scattered by setting up different lights and colors.The soft and bright colors of the amber are mixed and superimposed each other,forming a unique artistic rhythm and producing certain symbolic significance,it infers the vitality of life and the eternity brought by amber and conveys a subtle relationship between "likeness and unlikeness”.