A Study On The Narrative Of Western Anti-terrorist War Films In Post -9/11 Period

SinceWar,the "political phenomenon" derived almost with the birth of mankind,is a nightmare that mankind will never be able to shake away.For most of us who have never experienced war,the fear of war can only be felt from the narratives of those who participated in the war or from the descriptions of artists.When we can temporarily and easily carry out the whole nightmare,we want to experience the feeling of "pain and happiness".After experiencing the "9.11" terror,the western war movies are occupied by a large number of narrative themes of anti terrorist and extremist organizations.As a type of film,anti-terrorism war film has gradually formed its scale and has been produced in recent years.However,when politicians praise the achievements of anti-terrorism actions with "democracy banner" and "anti-terrorism banner",a large number of anti-terrorism war movies are looking at these subjects of anti-terrorism actions-people from different perspectives.At present,there is no systematic research text on the narrative of a series of Western anti-terrorism war films after "9.11".In recent years,with the emergence of war wolf series,red sea operation,peacekeeping operation and a number of domestic films related to the theme of anti-terrorism war,domestic research on such films has started a boom.Therefore,to explore the research field of Western anti-terrorism war movies after "9.11" in the west is helpful to explore the narrative artistic charm of films,aiming to uncover the narrative ethics,narrative strategies and narrative cultural analysis of the anti-terrorism war movies in the West in the post-9.11 era,and explore the potential theoretical guidance significance for Chinese related films In order to summarize the theoretical research experience,and then promote the self-improvement of domestic war movies in narrative and humanistic spirit.In addition to the introduction,this paper is divided into three chapters.The first chapter introduces the narrative techniques of the anti-terrorism war movies,focusing on the analysis of the "value-added" effects brought by the narrative strategies and sound and painting techniques;the second chapter discusses the narrative ethics of the anti-terrorism war movies,focusing on the movie's reflection of such "tram problems" and the subject of the War-the spiritual world of human beings;the third chapter starts from the vertical perspective of human history,By using the methods of comparative study and literature analysis,and combining with the war movies of World War II and Vietnam war with the war movies of anti-terrorism,this paper expounds the narrative culture of the war movies of anti-terrorism in detail.world.