An Aesthetic Discrimination Of The Contemporary Domestic Documentary Style Art Films

Documentary style art films have always been an important tradition and part of China's art films,and are widely favored by creators from all walks of life.Independent film festivals led by FIRST Youth Film Exhibition have also maintained recognition of documentary style art films.The "documentary style art film" is an art film with documentary film consciousness as its essential thought and documentary creation technique as its outline.It has distinct and uniform aesthetic characteristics.The theme is committed to close to the lives of the people and full of humanitarian care,such as urban and rural differences,laid-off tides,failed family education and other elements are common;on the characters,the marginalized people,the bottom group and the students without social voice account for the vast majority;The style is dedicated to restoring the reality of life.It is represented by live shooting,original ecological non-professional actors,long-lens photography,and slow-tempo editing.However,the current domestic documentary-style art films aimed at the reality of ordinary people's lives rarely receive public approval.The film directors represented by Jia Zhangke have always performed poorly at the box office and have rarely played their due role in society effect.This article believes that there are two main reasons for this: First,the documentary style art film trapped in the elite and intellectual circles has entered the misunderstanding of the original position in the image,and some films even have a tendency to regress;The creators who stick to the realism stand cannot implement the goal of criticizing reality,or have a certain compromise,or are too longing for the pioneer's video experiment,so that they cannot get the general resonance of the general public.This topic is to analyze and study the problems existing in domestic documentarystyle art films.It is divided into six parts,the introduction introduces the research purpose,significance,literature review and research methods;Chapter 1 defines the concept of the subject,and sorts out the development status of China's documentary style art films in China;The aesthetic characteristics of documentary-style art films;Chapter 3 is the focus of the thesis,devoted to objectively discussing the misunderstandings of current domestic documentary-style art films in thematic expression and audio-visual expression;Coping strategies towards misunderstandings;the conclusion combines the previous content,and has a prospect for the future of art films...