Research On Lin Jinlan's Novels

Lin Jinlan appeared on the altar in the 1950 s.He originally wrote the script and wrote short stories.He was known as the "short hand",and he was called "double literary circles" with Wang Zengqi.But his novels were not favored by readers and critics,and he sat on the cold bench for many years.The academic community has few research results on its works and lacks systematicness.However,from the perspective of artistic value,Lin Jinlan's work does have something remarkable.Therefore,this article attempts to take Lin Jinlan's novels as the research object and systematically explore the internal themes and artistic expressions of different works from the interactive relationship between the status of the work and history.Starting from the two periods of writing,with representative works as the center of investigation,we strive to achieve more comprehensive and systematic research.The first chapter focuses on the works of the "seventeen years" period,and first analyzes the contradictory model characters and lyrical tone in the works;second,it discusses the lack of critical discourse in the works because of its potential critical The lack of looming and explicit criticism makes the novel lose its profoundness and unity.Finally,through comparison with the "empirical" Zhao Shuli's novels,it is found that Lin Jinlan,as an "experienced" writer,has defects in writing rural novels.The second chapter is centered on the series of novels of the "Bottom Stool Bridge" created since the new period.This work actually stands at the intersection of the times and represents the two previous and previous histories,and constructs a world between tradition and modernity.The research is mainly carried out from three aspects: 1.The hazy,mysterious,and wet style of the low stool bridge,which is the focus of the work,and the skinnyness of the low stool bridge person;Second,how the work forms a construction between tradition and modernity: in writing techniques Returnto the classical tradition,but at the same time use the symbolic method to build a deep space-time;Third,from the writing position of the novel and the positioning of literary history,on the one hand,explore the connotation of its works that are both metaphysical and full of realistic spirit;Root-seeking perspective and pioneering attitude understand this marginal work.The third chapter focuses on a series of novels such as "Ten Years in Ten Decades" and independent singles about the history.The first section explores the unique writing angles of the works.Instead of writing history directly,it looks at history now and connects people with non-people,history and reality through the "middle way" of hysteria;the second section tries to tap the cohesion of these works.And the exploration of the artistic transformation methods and novel forms used to express these focuses;the third section studies the way in which works express the symbolic world.On the one hand,the novel uses montage to achieve the growth of the content and meaning of the work;on the other hand,The local transformation of psychoanalysis is presented in the text,which deepens the meaning of questioning history into resistance to feudalism,continues the tradition since the May 4th Movement,and unearths some modern significance.