Research On The Music Creation Of Weijun GuZheng Concerto

Wei Jun,as a representative of "Qin Zheng school" in Chinese zither circle,is a musician,educator and composer who integrates teaching,performance,creation and research of zither history.Over the years,a large number of Zheng music works have been created,reflecting rich and colorful forms and profound ideological content in the choice of music themes and types.Especially in the creation of Zheng Concerto genre,based on the creative thinking of integration of China and the west,it not only inherits the unique charm of traditional national music,but also absorbs the advanced western composing techniques,so that the music has a style of combining ancient and modern,integrating a variety of styles,which is widely loved and welcomed by the audience.This paper takes the three zither Concertos "source","desert walk" and "Walker" created by Mr.Wei Jun as the research object,and tries to analyze the performance of traditional Chinese music and western composition techniques,and interpret them from the perspective of isomorphic thinking.Starting from the analysis of the music noumenon of the three pieces of zither concertos,to grasp the relationship between the macro structure layout and micro motivation,and then from the composition and development of music materials,as well as the dialectical relationship between change and unity,to conduct a comprehensive analysis and research,so that the analysis has objective,effective,comprehensive and appropriate characteristics,so as to further analyze Wei Jun's zither music creation.This paper interprets the composer's perceptual thinking with rational thinking,and analyzes and abstracts the artistic features and aesthetic concepts of music creation from the music creation of three concertos.This paper consists of introduction and three chapters:The first chapter is an overview of composer's artistic life and background of Zheng music creation.Chinese styleThe second chapter is the noumenon analysis of music creation.This paper makes a systematic analysis on the structure of musical form,the rhythm of music,the composition and development of melody tone,harmony and texture.Chinese styleThe third chapter summarizes the common creative features,musical forms,artistic features,aesthetic concepts and artistic thoughts of the three Zheng Concertos under the isomorphic thinking.This study combines western composition theory with Chinese traditional music theory to analyze the music,explores the creative concept and artistic characteristics of Weijun guzheng concerto from the perspective of isomorphic thinking and ethnomusicology,and finally comes to the conclusion.Through this study,we can provide some theoretical basis for the performers of Weijun Zheng music,provide theoretical reference for the research of Weijun Zheng music,and provide fresh cases for the inheritance and development of Chinese national music.