| As the unique existence of the sixth generation of directors,Zhang Yang’s film has been hailed as the "ideal model of Chinese cinema",taking into account the expression of personal art and the thirst for public aesthetics,opening up a new line between art films and commercial films Road,thus gaining a win-win situation of word of mouth and box office.This article takes nine film and television works directed by Zhang Yang as the research object,interprets and studies from the three aspects of theme,narrative and video,and summarizes the law of evolution in its creative process,which brings some reference to other sixth-generation directors.The first chapter mainly discusses the theme change of Zhang Yang’s film,and analyzes the characteristics and laws of its different stages.The initial exploration period mainly focused on the family ethical relationship,the typed period focused on reflecting the living conditions of different people in the urban society,and the creative transition period deeply explored the truth of human nature.The second chapter focuses on analyzing the narrative characteristics of Zhang Yang’s films in different stages.From the complex postmodern narrative at the beginning of the creative period,to the collage and interpretation of different types of film narratives in the typed period,and finally return to the simple traditional narrative,showing Zhang Yang’s continuous breakthroughs and innovations in narrative.The third chapter presents the transformation of Zhang Yang’s film style.Put Zhang Yang in the group of the sixth generation of directors to make a comparative analysis of the image style in the initial period of his creation.In the typed period,he paid more attention to the use of metaphoric images.The creative transition period began from luxury to frugality,focusing on documentary and original ecological image expression.The conclusion summarizes the whole article,affirming the artistic value of Director Zhang Yang,and points out the regrets remaining in the thesis. |
