Neutralization: Image Representation And Communication Of Zhang Yang’s Films

"Neutralization" is one of the basic aesthetic forms of traditional Chinese aesthetics,and it is also a long-standing concept of value measurement.In the art of film,“neutralization” can be reflected in the value choice of film,aesthetic taste,image style,balance of art and business.At present,the research of director Zhang Yang in the academic circles mostly focuses on the family ethical relationship and realism theme of his films.Most of these studies statically look at Zhang Yang’s film based on a single angle.With "neutralization" as the starting point,the research on Zhang Yang’s overall aesthetic style and film value measurement is rare.This paper analyzes Zhang Yang movies from the four perspectives of subject,drama,sound painting and communication by means of literature analysis,image text analysis and case analysis.The first three chapters sum up the Zhang Yang film’s "neutral harmony" image aesthetic style with "satisfaction and harmony","holding harmony" and "moderation".The last chapter points out that the concept of value of "neutralization" is upheld,Zhang Yang is Try to maintain balance between business and art.The main body of this paper is divided into five parts: firstly,it is the introduction part,which mainly expounds the background,thinking framework,research methods and research significance of this paper.In the literature review,it summarizes the research of Zhang Yang’s film in detail in the literature review."The study of film style.The first chapter focuses on the analysis of the emotional tendency,value orientation and theme of Zhang Yang’s film,and summarizes the theme of Zhang Yang’s film "Harmony and Consummation".The second chapter analyzes the style of Zhang Yang’s film "Holding Harmony" from the perspectives of the film’s plot structure,film rhythm and character shaping.In the third chapter,by analyzing the characteristics of the sound picture of the film "Pure and Dim" and the emotional expression of "furious and knotty" shaped by the sound painting,the characteristics of the sound and painting of Zhang Yang’s film "The Golden Mean" are summarized.The fourth chapter points out that under the guidance of the value concept of “neutralization”,pursuing the balance between business and art has become the characteristics of its film communication.Since the release of the debut "Love Mala Tang" in 1999,Zhang Yang has 9 movies and 6 short films to enter the public eye.Zhang Yang’s film contains the characteristics of the sixth generation of directors who show urban life,portray the marginal characters,personal life experience and re-creation,and pay attention to documentary lens language.It also has a more balanced relationship with the typical sixth-generation director’s cynicism and personality narrative.The characteristics of the mean.This paper believes that Zhang Yang’s film is a commentary to the sixth generation of directors,and also a supplement to the sixth generation of directors.From the perspective of "neutralization",studying Zhang Yang’s films has certain theoretical and practical significance.