Research On The Status Quo Of Female Chinese Painters In Heilongjiang Province

Chinese painting is an important part of Chinese fine arts,which embody the great wisdom,character and ideology of the working people of the Chinese nation for thousands of years.It is a traditional Chinese painting with a long history,which forms a unique style system with its distinctive characteristics in the world paintings.With the continuous development of the Western feminist movement in modern times,Chinese women were gradually awakened by their influence in the early 20 th century,and they gradually got rid of the shackles and fetters of feudal society.Chinese women are changing greatly in self-awareness and self-cognition.After the founding of New China,women become the builders of socialism like men and play an increasingly important role all sides such as politics,economy and culture.The development of material civilization has led to the progress of spiritual civilization.The development of modern Chinese art is rapid and presents a diversified development trend.As a member of the great era,female Chinese painters are gradually recognized and valued by society,and then the prosperity of female paintings appeared.In recent years,female national painters in Heilongjiang Province have created a large number of excellent works with unique creative perspectives,which has developed into a new force that cannot be ignored in the Chinese painting.This paper takes the divided the administrative area of Heilongjiang Province as the geographical scope of this subject research,and takes the group of Heilongjiang female Chinese painters born,worked and long-term living in Heilongjiang as the research object.Based on the current status of the creation of the group of female Chinese painters in Heilongjiang and taking the group of women painter associations in Heilongjiang Province as an example,6 representative representatives are selected among the members of the Chinese Artists Association for case study of Heilongjiang female Chinese painters according to the age of the 1950 s and 1980 s as the criteria for dividing the age stage.This paper explores the creative status of Heilongjiang female Chinese painters through the analysis and interpretation of the painter's painting experience,creative style and psychological state,etc.It is hoped that the society and the public will further increase the recognition of female Chinese painters through individual and meticulous analysis and research on this group.I hope this paper will provide reference for the future development of female painters in Heilongjiang,and at the same time play a constructive role for contemporary regional art history research.