Impressionist Paintings And Heilongjiang Difference Comparative Study Of Freehand Brushwork In Traditional Chinese Landscape Painting

In the second half of the 19 th century, the west was a change in the field of painting, the change can be said to be after the Renaissance of western fine arts the most revolutionary change, this is the impressionist paintings., so to speak, impressionist paintings not only affect the development of western art, as well as for Chinese painting, especially the Chinese landscape painting creation and art education has a far-reaching influence. The process of impressionist was introduced into China is also the process of Chinese and western culture blend. Impressionist painting painters in emotional penetration, is missing in the western classical painting. And this kind of emotional disclosure and Chinese traditional landscape painting was very close to the concept of "lively", which makes impressionist art nature and traditional Chinese painting concept, thus was born the freehand brushwork in traditional Chinese landscape painting in China.At the beginning of the 20 th century, as the Middle East railway built, art under the influence of impressionist paintings of Heilongjiang province, Heilongjiang province as the last century junior high school one of the central cities in the western cultural exchanges, in the thirties and influenced by the impressionist art, and formed the unique freehand brushwork in traditional Chinese landscape painting. And this article is to impressionist painting and freehand brushwork in traditional Chinese landscape painting in Heilongjiang province as the research object, analysis on composition, both aesthetic consciousness, brush strokes, color and emotional aspects of the similarities and differences, so as to help us more clearly realize that all of Chinese and western painting of the difference and commonness, from the height of the theory to guide the freehand brushwork in traditional Chinese landscape painting creation practice in China.Full text roughly divided into six chapters: the first is the full text introduction, mainly for the purpose of this article research purpose, research significance, research review, research contents and research methods to analysis and study, thought after the foundation; The first chapter for the impressionist painting and freehand brushwork in traditional Chinese landscape painting their respective development in Heilongjiang province are briefly introduced; The second chapter to the differences of impressionist paintings and Heilongjiang freehand brushwork in traditional Chinese landscape painting is analyzed, mainly from the perspective and composition, aesthetic consciousness, writing techniques, and color is applied comprehensively expounded from four aspects; The third chapter is to discusses the impressionist painting and freehand brushwork in traditional Chinese landscape painting in Heilongjiang province convergence(similarity of form, color rendering, the artistic conception of similarity, the consistency of the subjective emotion expressing sexual);The fourth chapter based on the above research foundation, for the future development trend of Heilongjiang freehand brushwork in traditional Chinese landscape painting to make predictions; The last is the full text summary.