Liberation Of "Objects"

Up to now,human beings have classified and recorded all kinds of creatures in nature and objects in daily life in detail as much as possible.In this process,the meaning system of objects becomes more and more complex,the systematic service is gradually improved,and people will unconsciously be kidnapped by the meaning of objects in the process of using objects.In the long history of human development,objects mostly play the role of being used,the value of which exceeds the object itself,leading to the nature of the object being covered,but we always have such an opportunity to wake up those forgotten objects.Before Marcel Duchamp put a urinal in the exhibition hall as an exhibit,most of the objects in the art history are only practical.Sculpture,painting and other art products first serve the religious and aesthetic mechanism,and art objects first meet their usable functions,and the objects fall into the dilemma that must be practical.Then,in line with the upsurge of contemporary art,some artists began to pay attention to the object and began to study the object and the space it involves.To this day,in fact,the object has achieved unprecedented liberation to some extent,but there is no complete context and development system.Therefore,the author tries to study the liberation of the object from the perspective of Gamification,combined with the Gamification art phenomenon of contemporary art.The liberation of the object has not been completed,and the creativity of Gamification will bring more collisions to the liberation of the object and possibilities.Based on this,this paper consists of the following four parts: in the first part,the author systematically explains the construction of the meaning system of the object from the most basic phenomenon of the object.This construction process is the process of the object being gradually solidified,and the process of the object property being covered.Conceptual art awakens people's self-consciousness.The separation ofobject and language makes people realize the object itself again.The awakening of object opens the entrance of object's liberation.In the second part,through the guidance of several artistic phenomena of using objects by game,the author combs the movement and reorganization of objects,the transformation and generation of objects,and the game use of traditional labor tools.The artists liberate the functionality of objects by using objects by game.The third part,from the perspective of deconstruction of objects by other game art mechanisms,analyzes in detail the liberation of immersive game mechanism to objects and space,the liberation of participatory game mechanism to the relationship between objects and people,and further studies the complex relationship among objects,people and space.In the fourth part,based on the combing of the author's creation and the work content of the graduation project,the author extended his thinking on the liberation of objects.The liberation of objects is the liberation of people.The deep relationship between objects and people will nourish the author's creation and subsequent research work.The research on the liberation of objects is not to focus people's attention on objects,but to change people's inherent thinking mode of objects by liberating the shackles of objects and people's labor,to create new connections with objects by means of games,so as to find a new way of connection between objects and people.In the diversified contemporary art ecology,people can jump out of the shackles of objects and people's original neglect,and the game mechanism can also effectively intervene between people,space and objects,so as to explore the possibility of liberation of more objects and the expected future.