The Study For The Contemporariness Of Representational Sculpture

At the end of the last century,the modernity of Chinese concrete sculpture began to develop gradually,and the sculpture circle gradually showed an open creation state.Borrowing traditional themes,using materials as the way of expression of concrete sculpture,starting to study the title of the work from a social perspective,as well as the emergence of new concrete sculpture works with special significance.It brings more possibilities and opportunities for the development of Chinese concrete sculpture,and also opens a new journey for the development of concrete sculpture.With the continuous progress of reform and opening up,China has shown a historical evolution process of the West for hundreds of years in recent decades.Both politics,economy and culture have developed rapidly with the pace of society.With the deepening of reform and opening up and the gradual popularization of globalization,the communication between countries becomes more frequent,and the interaction of culture,economy and politics permeates each other.At this time,the development and changes of Western art are constantly brought into China and affect the development of Chinese art trend.Facing the new western art theories and art forms,Chinese artists have been inspired to think about art and society again.They have published their works in the form of works,and began to respond to the society with their works.In the face of this increasingly open pattern,artists began to be more open and diversified.Combined with the new context of China's current sculpture,this paper studies the contemporary concrete sculpture with CAIZhisong's sculpture works,from themodeling language of the concrete sculpture,the contextual expression of materials in the works,the new possibility of the subject matter and background of the works in the concrete sculpture works,and the relationship between the life emotion and artistic emotion of the sculptor to the contemporariness of Cai Zhisong's works As the starting point of the research,this paper analyzes Cai Zhisong's works and takes the analysis point as the research basis.This paper enumerates the contemporary sculptors with outstanding emphasis in relevant cases,analyzes and demonstrates their works,and further discusses the puzzles and new possibilities in sculptors' creation.At the same time,it also explores Cai Zhisong's works in the context of contemporary sculpture,and discusses the "spiritual fulcrum" based on local culture,as well as the historical recollection and humanistic care conveyed behind his works.This is a new field of the contemporariness of concrete sculpture,which involves a wide area and is difficult to be defined by a certain category;it belongs to the combination of the previous research context,that is,the new "spiritual fulcrum" mentioned by Cai Zhisong.When the spiritual fulcrum of the work is finally established,it goes back to the largest level-thinking and caring for humanism.This is the highlight of Cai Zhisong's works,and also the portrayal and new fulcrum of the contemporary development of Chinese concrete sculpture.