On A Probe Into The Independent Display Of Art Works In Heidegger’s Vision

“Art works can present itself” is the concrete expression of Heidegger’s ontological phenomenology main idea “facing things themselves” in artistic thought.Heidegger is based on the artistic thought of phenomenon and opens the rich meaning of artworks using “argots”,such as “world”,“earth”,“dispute”,etc.This thesis is divided into four chapters.The first chapter discusses the ontological basis of Heidegger’s thought of phenomenon of artworks.First of all,to clarify the basic connotation of “being” in the process of sorting out the “being forgetting history”.Secondly,to discusses the implicit subjects of the phenomenon of artworks——the true understanding of Dasein(the person who survives)in the perspective of “being”,that is the nature of phenomenon of beings.Finally,to discuss the particularity of artworks,as the summoner of “being”,compared with other appliances and natural objects.The second chapter further explores the basis of phenomenon of works,mainly discusses the relationship of mutual composition and common origin between works and implicit subjects in the two “start-up status” of works being created and phenomenon,and expounds the possibility of artworks to keep themselves in the process of being “aesthetic” by subjects.Moreover,the most critical self-factors,namely the “earth” of the works,in the artworks are discussed in details,so as to analyze self-sustaining nature of artworks specifically.The third chapter is the core of this thesis.In order to explore the essence of phenomenon of artworks,the chapter describes phenomenology of the dynamic state of selfmanifestation of artworks by integrating the thoughts of Heidegger’s ontological phenomenology such as reciprocal intentionality,intuition,form display,timeliness,etc.Firstly,the phenomenon of works in the dynamic state of “argument” between the “world” and the “earth”;secondly,the phenomenon of artworks as a time-space entity;Third,the phenomenon of works is to open up the historical coexistent world.The fourth chapter is the extension of the thesis,which focuses on exploring the enlightenment of Heidegger’s theory of phenomenon of works to the traditional art theory.The chapter mainly consists of three parts: firstly,the interpretation after the event should be based on the understanding during the event;secondly,combining with Heidegger’s linguistic thought and traditional Chinese evaluation methods,the “active language” should be used to provide a feasible method for the interpretation after the event to return to artworks themselves;third,the boundary between life and art should be re explored from the perspective of the mutual composition and common origin of “subjects-works” in original state of events and during events.Heidegger’s expression of his artistic thought is of the form of “argot”.it does not show obviously,but rather make the expression possible to be rich and open.It can be said that the expression of Heidegger’s art thought itself is consistent with the characteristics of his “being” thought,that is,always being on the road to “being”,without saying completion,determination and arrival.At the same time,it also skillfully expressed the richness and fullness of the “unspoken” state of self-manifestation of artworks that the subject devotes himself to the “aesthetic” state of artworks.Moreover,Heidegger’s artistic thought covers a wide range,and it can be said that it is popular in all aspects related to art,such as art and things,art and truth,art and technology,art and history,art creation,historical interpretation,etc.His artistic thought can be said to be majestic,boundless,sunrise and sunset,and magnificent,to continuously open the thought of art for us.