Viewing The Spirit Of All Things And Writing The Life Of The Elephants

After years of precipitation,Chinese painting has achieved artistic achievements that have attracted worldwide attention.Flower and bird paintings have rich themes and diversified styles,demonstrating the extraordinary artistic creativity of the painters.Throughout the history of flower and bird painting,sketching is an indispensable part of the creation process of the flower and bird painters of the past.Through sketching,you can master the basic growth laws of objects,feel the vitality of things in nature,and provide inspiration for artistic creation.This article focuses on the sketching concept of "teaching nature",first from the early stage of flower and bird painting to the Tang Dynasty,the Five Dynasties and the Two Song Dynasties,the Yuan,Ming and Qing Dynasties,and then modern times.The characteristics of the formation of Chinese flower and bird painting sketches and their technical performance in various periods were combed.Secondly,with the representative of the sea painting school and the Lingnan painting school in the modern flower and bird painting,it explores the development and current situation of the sketching concept of the modern flower and bird painting.In the social background of modern and eastern cultures blended together,painters adhere to excellent traditions on the one hand while paying attention to real life on the other.Take Wu Changshuo and Gao Qifeng as the representative figures to summarize the characteristics of their works,and analyze the inheritance and innovation of the modern concept of flower and bird painting in terms of sketching.Finally,through a summary of the research on the sketching concept of modern flower and bird painting,I aimed at my own shortcomings in creation.Do specific analysis of specific issues.Deal with the relationship between sketching and creation,and how to better explore "new" from "ancient" in future art creation,inherit "ancient" and carry forward "new".