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A Study On The Phenomenon Of Spatial Layering In Zhang Xinquan's Oil Paintings

Posted on:2021-02-04Degree:MasterType:Thesis
Country:ChinaCandidate:J KongFull Text:PDF
GTID:2415330611963877Subject:Art
Abstract/Summary:PDF Full Text Request
Each culture has invented its own typical artistic technique of expressing space,and skillfully used it.In the whole 20 th century,endless alternative spaces attracted many visual artists of two-dimensional media,and they formed two strategies.The first one is contrary to the description of a single overall space,in which the separation type shows the coexistence of multiple spaces or multiple perspectives of the same space.For example,the decomposition and reconstruction space of cubism and the extrapolation space of Chinese classical painting layer by layer.The second kind of artist performance space is to use imagination,fantasy or misplacement to transform the image.For example,surrealist Dali replaced and deformed the clocks and watches,elephants and other objects to form an overlapping image,so that the images of different spaces are superimposed to form a dense multi-layer composition.Why does modern painting space tend to overlap? What is the relationship between the stacking space and aesthetics?In this paper,combined with the works of graphics and text,the author analyzes in detail the embodiment of the element of layered space in Zhang Xinquan's paintings and the reasons for its emergence.Zhang Xinquan successfully displayed the space in layers with his works,and used multiple perspectives to close the distance between Farah's audience and the picture to interpret his unique space formation in his works.In the first chapter of this paper,the origin of Zhang Xinquan's painting is understood by analyzing the phenomenon of space lamination in various arts,mainly from the research of expressionism,cubism and the phenomenon of space lamination in traditional Chinese painting.The second chapter introduces the background of Zhang Xinquan's life and influence on his works in detail,mainly from the characteristics of the phenomenon of spatial layering in Zhang Xinquan's oil paintings.The third chapter is the specific performance of the phenomenon of spatial layering in Zhang Xinquan's oil paintings.This chapter is the key chapter.It mainly analyzes from perspective,composition and texture performance.Zhang Xinquan observes the images from multiple perspectives,so that different small spaces in the picture are staggered together,and the elements in the painting are superimposed and contrasted to form a splicing space.Through dramatic integration of reality and fiction,and through distortion of space,compression of space,reconstruction of new space to find a breakthrough in new dimensions.The use of stacked space to show the characteristics of specific places in morphology and emotion,to observe and describe things,to express the real state of life behind hidden things.Finally,it discusses the artistic value and significance of Zhang Xinquan's oil painting's laminated space,as well as the enlightenment to me,including the impact on my creation.
Keywords/Search Tags:Zhang Xinquan, Stacked space, perspective, constitute
PDF Full Text Request
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