Huang Binhong’s Art Theory Of "Five Strokes And Seven Inks" Guides And Inspires The Creation Of "The Canyoncloud"

Brushstroke and Ink is not only an important artistic language for Chinese painters to convey their feelings,but also a means for painters to express their hearts,emotions,skills and abilities.In the long process of development of Chinese painting,Chinese painters have created and accumulated rich techniques and experience in art practice,and formed unique Chinese painting techniques and language.Among them,Huang Binhong is a great master of traditional Chinese painting.On the basis of mastering traditional Chinese painting in his early years and combining his rich experience in sketching and creative practice,he finally formed his own unique style of painting and put forward the art theory of "five strokes and seven inks",which greatly enriched the expressiveness of Chinese landscape painting and made its development leap into a new stage 。 The significance of this research is to improve the ability of using and expressing ink by theoretical research and creative practice under the guidance of Huang Binhong’s "five strokes and seven inks" art theory.Based on the theoretical research and the creative practice process.the first part discusses the development of Huang Binhong’s brush and ink and his theory of "five strokes and seven inks" in his creative practice.The second part is the core chapter,which mainly discusses the creation origin and process of the work "Canyon cloud",as well as the guidance and help of the art theory of "five strokes and seven inks" to the use of their own ink.The third part summarizes my own creative insights and gains from three aspects: scene composition,ink application and color rendering.I hope that by practicing the art theory of "five strokes and seven inks" in my creation,I can have a deeper understanding of Chinese brush and ink,and lay a solid foundation for the creation of landscape painting in the future.