A Study Of The Singing Of Aria Che Far� Senza Euridice

In the 18 th century,Gluck's opera reform caused a sensation in the music industry.As the earliest work which embodies Gluck's reform ideas,?Orfeo?has a high research value.The third act,?Che far� senza Euridice ?,is an aria in Orpheo and Euridice,which is also a widely circulated vocal work.It is a classic in the opera.This thesis summarizes the domestic and foreign literatures on the study of Gluck's opera reform.First,it starts with Gluck's life and other opera reforms.Secondly,it offers a brief introduction to the creative background and story line of Akane for his first reformed opera,?Orfeo?.Finally,the emotional and musical analysis of the aria ?Che far� senza Euridice?,and the analysis of singing the work by different voices are discussed,as well as the singer's practice.The purpose of writing this thesis is to have a deeper understanding when singing,and meanwhile,to provide a reference for the singer who is learning this work.