Comparison Of Xuzhou Han Painting Stone And Liyang Nuo Culture

From the angle of image transmission,through the Xuzhou Han stone and Liyang Nuo culture comparison of collective unconsciousness "phenomenon of the two cultures".This paper is divided into three parts,the first part is the comparison of Han portrait stone and Nuo dance in Liyang,the second part of the combination of the two image dissemination of the contents of interpretation of the "collective unconscious" concept,the third part to undertake the above analysis from multiple across time regions of the "collective unconsciousness" and Nuo culture the essence of.By offering,Nuo dance,opera,Nuo mask based on Nuo culture,ancient Chinese cultural history,with its profound cultural connotation,which is of great significance and far-reaching historical and cultural influence.Xuzhou Han Stone recorded many Han Dynasty dance picture,but in the South of Jiangsu area of the Liyang heritage "jump hatabu God" which is a typical dance,they are closely related to religion,belief,emotion and culture,but it is in addition to the proliferation of cultural expression of faith and Language Aesthetic function.With the background of Nuo culture,the image dissemination of Xuzhou Han culture to Liyang Wu culture includes totem,masks and clothing patterns..This paper will explore,in both Xuzhou and Liyang Nuo culture since ancient times,from north to south,across time zone,with the cultural influence brought by the south to north,to deeply explore the image communication between North and south of the "collective unconscious" phenomenon.