A Study On ?Shiji? Narrative Theory Of Court Fight In The Early Han Dynasty

Shiji as a historical work with distinctive narrative characteristics,its narrative is remarkable.In terms of the narrative structure,Sima Qian pioneered the epic narrative structure focus on biographies,placing the basic perspective of narrative on the historical figures themselves,showing the narrative art of different personal characters,although it is a historical work,it has extremely High literary value.The narrative research on the history of the palace fighting in the early Han Dynasty,which the author discussed,is based on Sima Qian's creation,and discusses the characters,events,and writing art in the palace fighting in the early Han Dynasty.Not only that,this article strives to restore Sima Qian's creative mentality of palace fighting narratives,deeply considers the philosophical significance behind a series of palace fighting narratives,and then discusses them with the results of previous studies.The research method of this article is based on the original text of Shiji,combining the comments and writings of scholars from various eras,and referring to western theory,and strives to explore the narrative art in the historical narrative of Han Dynasty palaces fighting in Shiji.In the introduction,the author arranges the history of palace fighting narrative,briefly introduces the narrative art of palace fighting narrative in different history books,and defines the time range of narration to sort out the basic concepts.The text is divided into three chapters for discussion.The first chapter discusses the strategy of narrative,which is divided into three types of structure: linear structure narrative,horizontal structure narrative,and net structure narrative.The second chapter discusses the perspective of the palace narrative in the early Han Dynasty.From the perspective of omniscience in the palace narrative,the author discusses the characteristics of the characters and the narrative section.In the discussion of the limited perspective,the narrative focus The switch and plot point to two aspects.The third chapter discusses the style of palace fighting narrative,which is divided into two aspects: thought of palace fighting narrative and narrative art.The author of narrative thinking is summarized as pedigree theory and cyclical theory.The art of narrative is divided into four representative aspects for discussion,which are four parts:conspiracy pre-narration,fulfillment description,narrative rhythm,and biographies.In the narrative rhythm,the author discusses the impact of the idle and repetitivenarrative techniques applied by Sima Qian on the narrative rhythm.It shows the narrative rhythm of the palace fighting narrative,which is like a river,but it is fast and free.