| The thesis constitutes three parts of the introduction,main part and conclusion.The introduction presents the definition the political cultural aethetics,the analysis of the current status of the chinese contemporary scholars’ theories,and the significiance of the political cultural aethetics.The main part divides into three chapters.The first chapter mainly expounds the western political cultural aethetic theories through chinese scholars,including Terry Eagleton’s Literary production mode,Aesthetics ideology,Political criticism;Fredric Jameson’s Social forms poetics,Political unconscious,Ideological narrative theory;and Tony Bennett’s Text politics,Clutural governance,Aesthetics practice.The second chapter introduces the new literary critical mode from the sight of the cultural politics and aesthetics,which constructed by Liu Fengjie,Yao Wenfang and Wang Jie.Yao Wenfang advocates the Discourse strategy of cultural politics.Liu Fengjie constructs the Literary Politics.Wang Jie raises the Aesthetics utopia.The third chapter distinguish alloplasm and interflow from chinese and western political culture theories.The alloplasm has three aspects,including literary essence,logical methodology and management practice.The interflow also has three aspects,including transcend traditinonal aesthetics,the same subject of the weak talk and the redemption of the literary utopia.The fourth chapter concludes the three forms of cultural political aesthetics,such as the cultural politics of aesthetic fagigue,the cultural politics of discourse strategy and the cultural politics of governance.In a word,how to evaluate the chinese and western thoeries and how to rebuildthe chinese contemporary political cultural aesthetics are still the problems in the current world.The study wants to prospect the possibility of the future tendency of chinese literary cultural critical mode. |
