| Wang Mian is an extraordinary person in the history of chinese Calligraphy and painting.His love for ink plum has made his art immortal.Wang Mian loves painting plum,and is famous for drawing plum.He learned from Zhong Chao Ran and Yang Wu Jiu,on the basis of that,he created a unique plum blossom painting method with dense flowers and branches.With the perfect combination of painting poems and plum blossom,a complete ink plum with the characteristics of typical literati painting has been formed.Thus,the aesthetic functions of characters and images,painting and literature have been brought into full play,which has high artistic value.Wang Mian has a good knowledge of poetry,calligraphy,painting and engraving seal,and is one of the representatives of literati painters in Yuan Dynasty.At present,the academic circles do not pay much attention to the ink plum art study of Wang Mian.Most of the studies do not take Wang Mian’s life stories and poems as the starting point to make indepth exploration of Wang Mian’s Momei,thus,there are many problems to explore.The further study on Wang Mian’s works can make up some flaws,and have a great Influence upon the history of chinese painting and calligraphy.This study takes ink plum of Wang Mian as the research object,and combines Wang Mian’s poetry collection of bamboo house to prove the history.This paper is divided into three parts: introduction,five chapters and conclusion.First of all,the introduction describes the origin and significance of the research,the research status at home and abroad,the research content(difficulties and innovations),research ideas and methods.then,the first chapter reviews Wang Mian’s life and travel,explains Wang Mian’s life background,travel experience and influence;the second chapter arranges Wang Mian’s poems,analyzes social allegory poems and plum blossom poems and summarizes their influence on Mo Mei;the third chapter combs the painting of Wang Mian and classifies the artistic style of Wang Mian into three categories;the fourth chapter discusses the inheritance and innovation of Wang Mian’s ink plum,and briefly describes the influence of Wang Mian’s ink plum on the painters of Ming and Qing Dynasty;The fifth chapter summarizes the relationship between poems and paintings in "self painting and self topic" by Wang Mian.Finally,the conclusion summarizes Wang Mian’s life and travel,poetry,painting,poetry and painting.The art of Wang Mian’s ink plum should be the crystallization of Wang Mian’s life,poetry,calligraphy and painting.This paper focuses on ink plum of Wang Mian,and launches research on Wang Mian’s life,travels and poems.The author regards " Ink plum " as the unique symbol of Wang Mian and investigates it in his life course.From a more three-dimensional,comprehensive and systematic perspective to explore the art of Wang Mian’s ink plum,it is progressive from four aspects of Wang Mian’s life,travel,poetry and painting,to broaden and deepen the artistic research of Wang Mian’s ink plum. |
