| “The Vimalakirti”,one of the Mahayana Buddhist classics,has been widely spread since it was introduced to Middle-earth.As the master of this scripture,the Vimalakir is also loved and admired by all classes of society,so his image has gradually become the main theme of the creation of various categories of Buddhist art.This article selects the Vimalakir images in the fine arts from Wei Jin to Sui and Tang Dynasties for research,tries to sort out the process of the emergence,spread,rise and fall of the Vimalakir images in China,and tries to analyze the reasons.This article first traces the image of the Vimalakir in the literature,and then sorts out the Vimal image and its development in the Wei Jin to Sui and Tang Dynasties,and analyzes the characteristics of the Vimalakir image in the fine arts in each period.On this basis Summarize the fixed style of Vimalakir’s image.Secondly,to explore the source and evolution of the Wei Mojie image in the fine arts from Wei Jin to Sui and Tang Dynasties,and analyze the key factors of the change from the details of the head,clothing,posture,etc.,focusing on the macro comparison of various painting themes.Finally,to explore the causes of the evolution of the Vimalakir’s image,from the perspective of cultural blending and sociology,to summarize the key factors affecting the evolution of the Vimalakir’s image in terms of social cultural concepts,changes in religious beliefs,changes in belief transmission,and changes in creative carriers.factor.As far as the overall image of the Vimalakir is concerned,the period from Wei Jin to the Sui and Tang Dynasties was an important period in which its image was produced and developed to maturity,and it was also the most active period for the transformation of the Vimalakir image.Based on the rich historical materials,this article systematically expounds the development and evolution of the Vimalakir image in China from the Wei Jin Sui to Tang dynasty art statues.The impact of art has a positive effect. |
