On The Writing Of Social Love In Liu Zhenyun’s Novels

As an important writer in the contemporary literary world,Liu Zhenyun has been writing continuously from the short story "tower shop",and has a unique artistic way to grasp and appreciate the world.His major works include the trilogy "Hometown","a cavity of nonsense","My name is Liu Yuejin","I Am Not Madame Bovary",and his latest work "children of the melon-eating age",one Sentence Worth Ten Thousand won the Eighth Mao Dun Literature Prize.Liu Zhenyun’s novels use a new realism to depict the joys and sorrows of real life,with a dispassionate examination leading to a black comedy of criticism,ridicule and even banter.But at the same time,the "world" tradition and modern people on the search for the meaning of life to be combined,in order to observe and complement,a kind of inexplicable empathy also arises spontaneously.Liu Zhenyun’s practice of writing fiction,whether consciously or unconsciously,still has a lot to do with the Chinese literary tradition,even to a certain extent.This paper focuses on Liu Zhenyun’s major works,which are mainly studied by means of close reading of texts and theoretical research,the author tries to make a comprehensive,multi-angle and systematic study of his novels from three aspects: The fusion and inheritance of the world feeling,the new outlook of the world feeling,the variety and development of the world feeling,and the unique regional culture.The paper is divided into five parts:The introduction is a summary of the research status quo,the significance of topic selection,research ideas and methods,and the connotation of the novel.The first chapter is based on Liu Zhenyun’s novel about the way of the world and the way of the world,according to the theme of the text,the writing of the love of the world in his works can be divided into three levels: the love and marriage between men and women,the secular life of ordinary people,and the cruel and desolate life of intellectuals,we should carefully read the embodiment of the social situation in each stage and the internal track of the transmutation.In each stage of the study of human relations,the specific analysis of the period of existence of secular themes and characters.The second chapter,on the basis of careful reading of the text,systematically studies the connection between the world style and the regional culture in Liu Zhenyun’s love story,mainly from the Central Plain culture and the reflection of the world culture.In the aspect of Central Plain culture,it mainly analyzes the profound cultural connotation and the influence of childhood memory of the hometown where Central Plain lives,and reflects the culture of the world from its language,customs and feelings,narrative rhythm and temperament.The third chapter is to analyze the reasons for the writing of Liu Zhenyun’s novels,and will use the method of contrast and exploration,specifically analyzing Liu Zhenyun’s inheritance and transcendence of the traditional novels,in order to better and more complete redefine its value and significance in the history of literature,mainly on their works themselves reflected in the new field of daily life under the cultural reflection and the status of contemporary literature.The epilogue summarizes the achievements and shortcomings of the research on Liu Zhenyun’s novels,and looks forward to the future in the light of the current context.