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Development Of Cultural Productivity Of Marxist Philosophy Of Culture Perspective

Posted on:2021-03-13Degree:MasterType:Thesis
Country:ChinaCandidate:Y R ZhangFull Text:PDF
GTID:2415330611455947Subject:Chinese Modern and Contemporary Literature
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This paper takes Changxingang port’s children’s growth novel as the research object,and through the interpretation and analysis of the relevant texts,explores the theme,image connotation and creative characteristics of its novel creation.This paper includes the introduction and conclusion,which are divided into five parts.The introduction first introduces the basic situation of Changxingang port’s fiction creation from the realistic novels with the northern Dahuang youth as the main creation object in 1980 s to the fantasy novels with the urban youth as the object in the new millennium.Secondly,through the analysis of the relevant situation of Changxingang port’s children’s literature creation,it is found that the current research mainly focuses on the aesthetic style,narrative style,writer’s life and other aspects,lacking Few studies on his Bildungsroman,even if some of them are involved in Bildungsroman,are only the analysis of its theme,and the research lacks integrity.Finally,through the analysis of the basic characteristics of "Bildungsroman",it is found that changxingang’s creation has the characteristics of Bildungsroman.Therefore,this paper tries to start with changxingang’s Bildungsroman,and try to analyze its theme,image connotation and creative characteristics comprehensively and objectively.The first chapter classifies the theme writing of changxingang’s Bildungsroman,which is divided into three parts: growing pains,life consciousness and juvenile emotion.Through the writing of death,loneliness and pain in the process of juvenile growing up,it shows the pain and emotional injury in the process of juvenile growing up.This kind of pain writing calls for the importance of treating children as independent individuals It shows the unique significance of changxingang’s creation for children’s literature.The second chapter mainly analyzes the connotation of images in changxingang’s works,and divides them into three parts: natural images,humanistic images and ritual symbols.In each kind of image,we choose some of the most representative images and discuss the implied meaning of the image.The selection of images in changxingang’s novels is not complicated,and it is these simple and profound images that make hisworks reveal unique aesthetic meaning.The third chapter mainly analyzes the aesthetic characteristics of Changxingang port,which is divided into three parts.The first part analyzes the tragedy writing in Changxingang port’s works,analyzes the tragedy of juvenile growth from the two aspects of the times and human nature,and explores the value and significance of this tragedy writing for children’s literature today.Secondly,it analyzes the language characteristics of his initiation stories,and holds that his language is not unchangeable,but gradually changing with the change of his writing style.The last part focuses on the problem of juvenile growth in his novels.Through the analysis of the relationship between teachers and students,the relationship between parents and children,and the expectation of gender roles,it shows Changxingang port’s close attention to the problem of juvenile growth.The conclusion of the last part of the thesis is a summary of Changxingang harbor’s growth novel creation.The author thinks that while he is creating growth novel,he is also growing up with the times.His "real" writing has unique significance and strength for the current children’s literature circle.
Keywords/Search Tags:changxingang, children’s development novel, Image connotation, children-oriented
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