Thousands Of Melancholy,lifeless Reclusive

Guan Ying(1822-1857),,with style name Qiufu and pseudonym Miao Miao Taoist.She was born in Qiantang(now Hangzhou).Guan Ying was born in ShuxiangMendi.She received a good education since childhood.She is proficient in poetry,calligraphy and painting.she had two poetry anthologies entitled Thirty-six Furong Museum Poems and Dream Shadow Mansion Poetry.She married Jiang Tan,the son of a famous clan.She had an enviable marriage.She often traveled with her husband,written poems and painted,hung out and chatted with friends.She once lived a happy life.However,in the latter part of her life,she abandoned the love and happiness in the word,negated the existence value of reality,She embarked on the path of abandoning the word to escape from reality.The first chapter of this article summarizes Guan Ying's personal life and her friendships with her teachers and friends.She analyzes her personal traits of being troubled,ill and filial,and explains the regional cultural environment in which she lives.The second chapter mainly analyzes the marriage life of Guana Ying and her husband Jiang Tan,and analyzes it layer by layer,expounds the emotional process from love to sweetness and discord,and analyzes the specific reasons.The third chapter takes Thirty-six Furong Museum Poems and Dream Shadow Mansion Poetry as the research objects,reads the text carefully,classifies the content of the poems,and understands the emotions.The fourth chapter combines Guan Ying's personal encounter and unique personality.Analyzes her inner sorrow from four angles of illness,separation,poverty,and complaints,clarifies her illusory consciousness,lifeless consciousness and reclusive mentality.As a typical representative of boudoir literati,Guan Ying's works are a very true reflection of the female living conditions and mental conditions at that time.