Research On Chinese Jinling Printmaking Exhibitions And Their Works

Since the rise of modern art exhibitions,Chinese art related exhibitions and art galleries have developed for nearly a hundred years.In the long historical torrent,art exhibitions are undoubtedly the recorders of the current situation and feelings,the narrators of national culture,and to a certain extent,the concentrated display of artistic achievements.Nowadays,with the vigorous development of art and culture,various schools of thought collide with each other and become the trend of a hundred schools of thought.The social responsibility and professional requirements of art exhibition are increasing.The most important task of art exhibition is to deal with the important issues such as exhibition,research,collection,popularization of aesthetic education,give full play to the social effect of exhibition and the advantages of professional research,and express their own academic ideas and cultural positions.On the other hand,through professional exhibitions,we can understand the corresponding professional level of art and policy and culture,which is of great practical significance for the scientific and reasonable development of related undertakings,the guidance of positive social winds,and the creation of a good academic atmosphere.This is the reason why we choose JinLing printmaking exhibitions in China to study.Although this is a comprehensive painting exhibition,in which three kinds of plastic arts,namely,national,oil and print,are displayed in turn,and print has only a short history of two years,which not only challenges the research,but also shows the development situation of print itself.However,the existence of JinLing print exhibition has its unique significance.Only by actively exploring its problems and developing its advantages can we get better development.This paper takes Jinling printmaking exhibitions and their works as the research object,starting from the exhibition itself and the selected works,through the grasp of the overall situation of the exhibition and the appreciation of the selected works,objectively summarizes the operation of Jinling Printmaking Exhibition and its achievements in the professional field,and realizes the artistic pursuit and values behind the exhibition,so as to further reveal them The advantage and crux of the exhibition.The paper is divided into three parts:the first chapter introduces the general situation of Jinling printmaking exhibitions,understands the regional cultural and artistic resources it relies on,and the concept of exhibition planning and operation,so as to clarify the cultural orientation and artistic ideas of the exhibition,and grasp the overall artistic style of the exhibition.The second chapter,through the description of the professional pursuit of the exhibition,combined with the background and theme of the exhibition,analyzes the selected works from the two aspects of formal language characteristics and theme content performance,and makes a comparison,analyzes the transformation of the two editions of the exhibition.The third chapter is not only an in-depth analysis of the exhibition and its works,but also a rational reflection on its development.The orientation of the exhibition and its claim and pursuit in the professional field reflect the important practical significance and more development space.It is hoped that through unremitting efforts in all aspects,Jinling printmaking exhibitions will always adhere to the promotion of realistic art and local culture,uphold humanistic care,and persevere in exploring the path of independent development of Chinese art.