The Application Of High-pitched Tunes Technique About "Wuwa Folk Songs" By The Longhui Huayao Of Hunan Province In Tenor Singing-Take Some Of Pieces From The Concert For Example

The mountain songs appeared in Huayao region,Longhui County are local folk songs with a long history and deeply loved by Yao and Han people in Huayao region,it's also one genre of eight major tunes.It is one of a wonderful work of our country's high-pitched mountain songs,which are nurtured in the vast land of the Xuefeng mountain and accompanied by the production and life of the working people in the Huayao region,showing a dazzling light of its beauty.Wuwa tune,also called the Wuwa folk song,is one of the most characteristic one.The author studied the high-pitched skills used in Wuwa folk songs and experienced a systematic training in the singing ways of true voice and falsetto,low and loud voice,treble and bass,breath and vocalization,to gradually solve the problems including disconnected between true voice and falsetto,disunion between treble and bass,opaque high tune and uncleared vocalization position.At the same time,the author was also trying to make some suggestions for the protection and inheritance of the national intangible cultural heritage of Wuwa folk songs nurtured in Huayao.This thesis consists of three parts including the introduction,the main body that is composed of four chapters and the conclusion.In the first chapter,the author made a brief introduction about the Huayao region,Longhui county and the Wuwa folk songs,analyzed the historical origin and growth environment of Wuwa folk song and the reason that it can be nurtured in Huayao region.In the second chapter,the author studied the high-pitched skills used in Wuwa folk songs,and made a comprehensive research on the true voice and falsetto,the application of singing breath and training ways of resonant cavity,which is also the key to solve the tenor problem.In the third chapter,the author first briefly introduced the cause and effect of the creation of Huayao Love Song,and then discussed the stage performance of Huayao Love Song in the author's concert from three perspectives including vividness,situationality and emotion,so as to observe the author's performance in the concert.In the fourth chapter,the author talked about its experience and thoughts in learning the high-pitched skills of Wuwa folk songs.