Research On Classical Dance Dramas With Wushu As Theme Study On The Creation Of "Oil Umbrella And Long Dao"

Wushu and classical dance are different body culture phenomena in our country.They are homologous and heterogeneous,belonging to two different disciplines of sports and art.With the development of society,the two kinds of body cultures present the characteristics of integration in the constant collision and exchange.The creation of Wushu routines and the design of Wushu dance works embodying the characteristics of"dance" have sprung up in large numbers.They are widely used in the opening ceremonies of large-scale competitions or literary and artistic performances with specific themes.Therefore,through collecting and sorting out the relevant design works,we can deeply grasp the characteristics and trends of the integration of Wushu and dance,and then compile the classical dance repertoire with Wushu as its theme,which has certain academic value and practical significance.By using the methods of documentation,video analysis and expert interviews,this paper identifies the basic characteristics and development of Wushu dance works design by summarizing the viewpoints and analyzing the existing excellent dance works with Wushu as the theme,and creates the classical dance repertoire "Oil Umbrella and Long Dao" with Wushu as the theme.The main contents and conclusions of the design work are as follows:1.In the process of compiling the classical dance repertoire with Wushu as its theme,it can be performed mainly in the form of male and female double dance in scale setting,and in the form of interaction between men and women in action arrangement to reflect the essence of offensive and defensive in Wushu.In the creative thought,it can be used as the conjunction point of the integration of elements of Wushu dance.2.From the result,Wushu element is a good subject for choosing in the creation of classical dance,and this combination has certain expressive force.However,in the process of compiling,there are some differences between the two majors,which may easily lead to some difficulties in the choosing of movements and props.3.Because of the essential difference between Wushu and dance to a certain extent,there is still some self-specificity in the creation of Wushu.For example,it is difficult to bring the skill and attacking ability into the overall action creation in Wushu.Taking "Oil Umbrella Advocacy" as an example,if the prop Yanyue Dao does not remove the skill and attacking ability,it is easy to break through the paper umbrella and stab the actors,as well as to cause excessive action force,so that the whole work has no aesthetic feeling.4.The opera "Oil Umbrella and Long Dao" uses Yanyue Dao and umbrella as props to create,which shows that there are many possibilities for the integration of Wushu genre and classical dance.The absorption of classical dance culture to Wushu culture can enrich the theoretical connotation of classical dance to a great extent,have more power in the form of expression,increase the difficulty and depth of the content of the repertoire,and also provide a new way of thinking for Wushu performance.Nowadays,there are many schools in Wushu in our country.The combination of them and dance will play a certain role in enriching the types of this type of dance and promoting the two cultures.