A Study On The Narrative Landscape Of Martial Arts Films In The New Century

As a unique type in China,martial arts film is deeply influenced by the tradition of "martial arts and Chivalry".Since the film appeared in China,in order to enrich the spiritual entertainment needs of the people in the Chinese language circle,filmmakers have never stopped learning nutrition from the ancient Chinese martial arts stories,exploring the mature way of martial arts films,so as to enrich the development of Chinese film types.In the history of Chinese film development,martial arts film has been interrupted and stagnated,but in most cases it still develops forward.After several stages of development,martial arts film has formed its unique screen form in narrative mode and landscape presentation.With the development of society,since 2000,martial arts films have presented a new era style in narrative and landscape.This paper is divided into three parts: the first part,mainly to explore the narrative landscape and martial arts movies;the second part,mainly to summarize the presentation of landscape in the new century martial arts movie narrative;the third part,mainly to interpret the narrative function of landscape in the new century martial arts movie.Since the new century,the progress of the development level of the film technology has promoted the improvement of the film production level,which requires a further change in the presentation of the landscape in the film.In addition to the basic narrative element function,it can also bring fresh aesthetic enjoyment to the audience.In terms of interior scene,the building of houses in major film and television cities has become a normal state.In terms of exterior scene,the real scene shooting in natural beauty and the improvement of the technical level of special effects of films are all developing towards a normal state.In terms of characters,it is necessary to gradually get rid of the original single character image and change to the multiple character image.In terms of actions,it is necessary to show the aesthetic feeling beyond the practicality of the character's martial moves.In terms of motivation,we can change and mix different types of expressions from the original types.In the process of making these films,seemingly minor changes have brought a new experience to the presentation of narrative landscape in the films,and played a fundamental role in the rendering of story atmosphere and the demand of aesthetic appreciation.The audience's “decoding” process of the movie picture,taking the landscape in the picture as the receiving information,shows the narrative elements in the movie through the flow of the movie picture.After rational analysis,the audience gradually restores the overall appearance of the movie story.In a single scene,the filling amount of narrative landscape will be limited,and the narrative integrity of the movie will be limited,while the moving picture of the movie will connect the scene and the scene with logical thinking to form a complete story situation display.There is a serious dislocation between the time of film showing and the time of film story.The narrative landscape provides the basis for distinguishing the time of story plot,and constructs the theoretical background for the time orientation of film story.The action of a character will be adjusted and changed according to its space state,while the routine action of a character reveals its origin and background information.According to the action of a character,other information related to it can be analyzed.Although the endless landscape in the picture will affect the audience's information reception,the audience often get the hidden information beyond the landscape itself through their own rational analysis.With the spread of the film,the film information elements presented in the narrative landscape are also widely spread.Some "Landscapes" have even surpassed the film itself and become the symbol of martial arts culture.Facing the current situation of cultural industry in full swing,it is imperative to transform the narrative landscape of film into aesthetic goods.However,the production and consumption issues involved in the development process deserve further study and discussion.