Returning The Spirit

In today's diverse art language,the creative ideas of Chinese contemporary artists have gradually turned from fanaticism to retrospect and introspection.How to combine traditional Chinese culture with Western culture in the context of modern art,and to balance the local humanistic spirit and life consciousness has become a requirement to gradually establish national cultural self-confidence.With its unique artistic language and profound cultural charm,lacquer painting has become an important part of the category of independent paintings in the contemporary art world.In its breeding and development process,lacquer painting has formed a relatively stable aesthetic psychology and strong inheritance,but this inheritance should also follow the aesthetic fashion of the times,the growing aesthetic cultural needs of the people,and the changes in modern lifestyles.And change.In the continuous development of lacquer painting,only by combining traditional language with contemporary aesthetics,and constantly expanding the expression language of lacquer painting,can lacquer painting better show its special art in the current pattern of art development Language,find your own position.Wang Xiangyang is an outstanding representative of the development and practice of contemporary Chinese lacquer painting.His works are open,integrated and modern.In Wang Xiangyang's creation,he pays attention to the current living state and the feelings of the times.In the fusion of traditional and contemporary artistic language,he pursues the emotional expression of the spiritual world,and his spiritual hometown is contained in the contemporary picture form.In this large cultural background,this article divides the article into four parts to discuss Wang Xiangyang's lacquer creation:First,review the development process of lacquer painting,summarize the aesthetic characteristics of each stage,and draw the background of lacquer painting into the modern painting system.2.To explore the ideological connotation of Wang Xiangyang's lacquer creation,and to analyze the meaning of his works under the semantics of returning home,contemporary,and philosophical.3.Discuss the forms of Wang Xiangyang's lacquer painting creation,including "freehand" expression techniques,expression language combining traditional and modern art forms,and mysterious and harmonious picture color expression.Fourth,through the comparison of horizontal and vertical angles,sum up Wang Xiangyang's achievements and contributions in the creation of lacquer painting in three aspects:its absorption of tradition,the breakthrough of the language of lacquer painting,and the transcendence of himself.