| The use of traditional raw lacquer in China has a history of six or seven thousand years.With the development of xia,shang and zhou dynasties and the spring and autumn period,the warring states period became the most important period in the history of lacquer development.On the basis of inheriting the traditional craft,han dynasty lacquerware also had the characteristics of the early western han dynasty lacquerware art.The author took the xiangyang drum tower no.1 tomb of the han dynasty as the case study,interpreted the theme content of the painting subject matter,analyzed the cultural causes of its formation,and then constructed the system framework of the thematic painting of the character pattern.In this paper,from three parts of xiangyang drum tower no.1 tomb of the han dynasty characters patterns of lacquer dowry research,the introduction part summarizes the research background,domestic research status,research methods and characters patterns of lacquer dowry related description.The second part is the center of this paper,the author from xiangyang drum tower no.1 tomb of the han dynasty characters grain lacquerdowry archaeological excavation,the figures grain lacquer dowry image analysis.Through the comparison with the image of wu zixu's bronze mirror,it is possible to analyze the theme of wu zixu's portrait.The third part,the author from the han dynasty followed the pre-qin concept of loyalty and filial piety and blood revenge thought,wu zixu story text tends to form,the theme of the warring states period painting continued to the western han dynasty,with the relevant historical data,literature data to textual research and analysis,characters grain lacquer dowry wu zixu theme painting of cultural reasons.Based on the analysis of wu zixu's theme paintings of character patterns,this paper rethinks the time when the composition formula of character patterns appeared,the time when the bronze mirror of wu zixu appeared,and the problems existing in the case study. |
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