Study On The Vicissitude Of Traditional Korean Folk Songs In Yanbian

Korean traditional folk music is an important part of Korean traditional music.It was mainly introduced to northeast China by a large number of Korean farmers from the 17 th century to 1945 due to natural disasters,wars and other historical reasons.As one of the 56 ethnic groups in China,Korean music culture with Chinese characteristics,which is different from that of the Korean peninsula,has gradually been formed with the changes of Chinese society since its arrival.The three generations of artists with the relationship of teacher inheritance just witnessed the formation and development of Korean traditional music and experienced the whole process of the development of Korean traditional ballads in yanbian region.Therefore,based on the yanbian Korean autonomous prefecture,jilin province as the study area,with the Korean traditional folk songs as the research object,using the theory of culture change perspective,the three generations of yanbian area and inherited the traditional folk artist singing comparative observation,summary analysis from since the founding of new China,the Korean traditional folk music in what the inner and outer environment change,the final analysis the three periods of traditional folk pattern of overall change path and its direct and indirect factors affecting the change.This paper is divided into five parts.In the introduction,the research origin,research method,research purpose and significance,and the research status at home and abroad are expounded.In the first chapter,the concept and classification of Korean folk songs are generally sorted out and summarized,and the introduction and historical development of Korean folk songs during the immigration period are briefly introduced.The second chapter is the core of this paper,which elaborates the specific appearance of Korean traditional ballads in the three periods in a multi-dimensional and all-round way,and gives an overall and objective description of the traditional ballads in the three periods from various aspects,such as the historical background,the main body,the content,the singing method,the field,the function and the deductive form.The third chapter is the summary of the content of chapter 2 and sublimation,based on the three periods of traditional folk form of objective comparison,analysis,summarized its change model,then analysis the influence the change of the specific reasons,finally this paper points the author through field research is summarized during the thinking of the protection of traditional folk heritage in the future.In the conclusion,it is expounded that the changes in the three periods of yanbian Korean traditional ballads are self-adjustment on the basis of adhering to the "original" form within the music,and the three periods show the change path of continuation-innovation-return,which conforms to the development law of "moving step without changing form" of traditional music.