Aesthetic Study Of Director Kong Sheng’s Works

In today’s era of rapid development of the film and television industry,the industrialization of the film and television industry has created a large number of directors and a large number of film and television works,and after careful searching,it is found that there are not many who can really be called excellent directors.Kong Sheng,as a leader in the TV drama industry,has displayed a unique aesthetic way of thinking different from other filmmakers in this era.Upholding artistic virtue,adhering to the bottom line of the art,and shouldering cultural heritage have become his main aesthetic appeals.A series of classic works of art by Kong Sheng not only clean up the atmosphere and atmosphere of the film and television industry,but also lead the values and orientation of the audience.However,such a rare and outstanding director academia has stayed at a shallower level for its research.The study of its aesthetic thought is still blank.Therefore,this article intends to adopt a combination of theory and practice,relying on the film and television works directed by it,and taking the aesthetic mechanism as the core to clarify Kong Sheng’s unique aesthetic thinking.This article is divided into four parts.The first part is the introduction and the first chapter.The introduction describes the research background and significance of this paper,the literature review and the research methods used in this article.The first chapter is the beginning of the main discussion of the full text.It grasps Kong Sheng’s aesthetic overview from a comprehensive perspective,and starts to sort out his works from the direction of his directing,and explores his aesthetic appeal by analyzing specific works.Trace the source of ideas.And on the basis of the foregoing,clarify the aesthetic thinking and expression characteristics of Director Kong Sheng’s theme expression and theme selection,and then explain the significance of his theme expression and theme selection.Through the above elaboration,it provides theoretical support for subsequent demonstrations.The second part,the second chapter,is the theoretical support of the full text.On the basis of the first part,this part further explores the essential roots of Confucian aesthetic thinking.Focusing on art reality,we discuss the connotations of life reality,historical reality,emotionalreality,historical reality and their relationship with artistic reality,clarify the aesthetic mechanism of director Kong Sheng,and lay a solid foundation for the following discussion.The third part is the key part of this article.The third,fourth,and fifth chapters,through the combination of works and theory,analyze and summarize the unique aesthetic thinking of Kong Sheng in the three aspects of lens,narrative,and performance.Lens Aesthetics: Analyze the universal characteristics of his lens from the works of director Kong Sheng,and then use this to expand the aesthetic thinking that Kong Sheng showed in the lens.Narrative aesthetics: From the aesthetic appeals of director Kong Sheng to the opening,motivational events,climax and ending design of film and television works,and the analysis of the main types of opening,motivational events,climax and ending design presented by Kong Sheng in the works,Explore its narrative aesthetic thinking.Performance aesthetics: Discusses the uniqueness of director Kong Sheng in directing performances,not the performance of Kong Sheng itself.It analyzes the three parts of star aesthetics,action aesthetics,and facial expressions,and discusses Kong Sheng ’s aesthetic appeal in the above three aspects,and then clarifies the uniqueness and aesthetics of Kong Sheng ’s performance guidance.The fourth part is the conclusion part.In this part,this article objectively and dialectically pointed out the deficiencies and limitations of Kong Sheng’s directed works,and realized the comprehensive care of Kong Sheng to a large extent.At the same time,we hope to provide a better reference for the development of film and television.