A Brief Analysis Of The Artistic Relics Of Kun Can’s Remaining Paintings And Calligraphy

In the late Ming and early Qing dynasties,the country was in turmoil,the military and the sorrows were connected,and the righteous men of the martial arts were unveiled.The corrupt political situation has made the literati doctors lose hope for the future they will face,so they each seek their own spiritual sustenance,and the Taoist school has become the current social fashion.In the historical materials,there are very few records of shackles.From the limited information,we can learn that the young and the young are intelligent,and they are anti-marriage.They became monks at the age of 20,and then participated in the defense of the troops of Nanming He Tengyi at the age of 30.After escaping from the Qing army,he was buried in the barren hills for three or four months.He was surrounded by tigers and leopards.He avoided the rain and tigers,and he squandered blood and caused a pain.Then he traveled to many famous mountains and rivers,and finally settled in the Yuji Temple of the Great Enlighten Temple in Nanjing.He studied the meditation,made friends with calligraphy and painting,and wrote calligraphy and painting.Based on the background of the shackles,character development,outing activities,religious beliefs,and avoiding chaos,this article clarifies the singularity of a generation of masters,the paintings of the Zen and the calligraphy of the singularity.The legacy of the world.The ruined paintings and paintings directly influenced a large number of Qing dynasty,modern and contemporary painters,especially Huang Binhong.He systematically studied the shackles of ink.The net domain is rare,and every disfigurement is done by writing ink and ink.There is no obstacle to the three shackles.The brushwork is powerful and the artistic creation is boundless by the limitations of time and space.The masters are the followers of the future and the descendants,rejuvenating the status of landscape painting in the history of world art.