Study On Reproduction Of Coloured Painting Patterns Of Qin Bronze Chariots And Horses

As the beginning of the feudal dynasty in ancient China,the unification of Qin Dynasty has a very important position in the history of our country.Although the prosperity and decline of Qin Dynasty only took a short period of more than ten years,the cultural impact left to future generations has been passed on for thousands of years.Qin Shihuang,as "the first emperor in ancient China for thousands of years ",was the first person to unify China in history.The study of terracotta warriors and horses and bronze chariots and horses in the mausoleum of emperor qin shi huang is a key to open up Qin culture,which fascinated numerous experts and scholars.Qinling bronze chariots and horses are divided into No.1 vertical carriage and No.2 Anchel carriage.They are the largest and best preserved bronze chariots and horses ever discovered in the archaeological field of China.They are of great value in studying the structure,smelting technology,carriage system and decoration technology of the Qin Dynasty.Some previous studies on the patterns of bronze carriages and horses in Qinling Mausoleum have been made,which laid a solid foundation for the in-depth study of this paper.However,the scope of these studies is often limited to the analysis of patterns,without systematic collation and induction of bronze chariot and horse patterns.In addition,there are few studies on the color of bronze carriages and horses paintings,which provides a space for further exploration in this paper.By analyzing the patterns and colors of bronze chariots and horses in the Qin mausoleum,and referring to the cultural relics of bronze chariots and horses and previous research data,this paper tries to figure out the distribution and use rules of these relics and reproduce the beauty of decorative art in the Qin dynasty in the way of painting restoration.By making a detailed and intuitive arrangement of the existing patterns and colors that can be examined in the form of charts,and discussing the historical significance and artistic value behind the patterns,the first purpose of this study is to bring some new thoughts to the study of Qinling bronze chariots and horses from an interdisciplinary perspective of art and archaeology.The second purpose is to restore the pattern with color.The attempt to restore color has found a new way of communication between ancient objects and modern people,and has broughtsome inspiration to modern design.Qin culture has been spreading for thousands of years and many details can not be known by modern people.Through this study,it has a positive significance to excavate the local history and inherit the traditional culture.Picture 111,Reference 59.