Analysis Of The Painting Language Of Richard Diebenkorn

Richard Diebenkorn's painting started from abstract expression,developed to the exploration and study of concrete language,and finally returned to abstract expressionism.His path of artistic creation expresses his desire for spiritual enrichment and inner expression of the soul.Postmodern artistic creation has been deeply influenced and has occupied a place on the art stage in the 20 th century.His early paintings took imagination as the creative clue,and later in the period of the Marine representativism,his works were the reference to the objective objects and the return of the representativeness,blurring the boundaries between representativeness and abstract painting.In the later period of Ocean Park,his painting again returned to abstract expression.Diebenkorn's artistic creation is the coexistence of rationality and emotion,the symbiosis of abstraction and concreteness,and the interweaving of two languages,which cannot be labeled as realism and abstract expressionism.In the era after Cezanne,the painting language blossomed like a hundred flowers.For a single artist,the evolution of the expressive language of painting presents the dominant status of a language in a specific period,which does not represent the negation of one painting language and genre to another,but the interweaving and influence of each painting language and genre.This paper takes Richard Diebenkorn as the object of research and analysis.The representational period of the Marine region;Through a comparative study of the painting languages in the three art and painting periods,it is found that Diebenkorn returns to the painting itself,respects painting,and even defends the meaning of painting in contemporary art,and then explores the expressive language of painting.Then he studies the origin of the painting form and the evolution of the painting language between the concrete and the abstract in each artistic stage.