Interpretation Of "Folk" In Lu Xun's Works

This paper studies the texts of Lu Xun's two collections of novels,Na Han and Pang Huang.It also investigates other relevant texts,such as Weeds and Dawn Blossoms Plucked at Duck,explores the folk implications of Lu Xun's works from the folk perspective.The article is divided into four parts.The introduction part mainly defines the concept of "folk" in this article,introduces and explains the relevant research overview and research significance.Chapter one explores Lu Xun's consciousness of Folk-post.As an opposite existence to politics,Folk-post has its own knowledge value system.Lu Xun opposed the "revolution" in the name of revolution,and pointed out that revolutionary literature should be a literature of resistance by criticizing the flow of "revolutionary literature".At the same time,after understanding the margin of social value that literature itself can carry and the "powerlessness" of literature,we still defend the "truth" of literature's art.The second chapter mainly discusses the meaning of "folk" in Lu Xun's works from the perspective of folklore.The "ghost world" in Lu Xun's works shows the precious truth of the world,but when the concept of folk custom further points to some normative values,its ideological constraints on human beings are particularly heavy.The intertwining of simplicity,truth and obscurity in folk customs constitutes the basis for Lu Xun's spiritual choice of folk culture.Chapter three takes folk culture as a perspective of others to explore the relationship between intellectual's Enlightenment position and folk value position.By introducing the folk perspective,Lu Xun transcended the single enlightenment perspective and expressed the writer's cultural introspection.