Research On “Domestic Crime Film” In The New Decade Of New Century

The popularity of IP films has led a series of domestic crime films to enter the Chinese film market,which has excellent performances in terms of the number of productions,the performance of the cinema line and the award-winning situation and so on.In the new decade,a large number of excellent domestic crime films have appeared in the Chinese film market,and they have achieved good results at the box office and in word-of-mouth.In 2014,"White fireworks" won the Berlin Golden Bear Award.Since then,domestic crime films have gradually been made up of diversified categories,unique audio-visual style and exquisite narrative structure have been widely recognized.With the development of Chinese film industry,domestic criminals Crime film gradually presents a new trend,the Chinese film market is increasingly subdivided,crime films in the market more and more attention,the audience of the crime film awareness and demand is increasingly rich,domestic crime film diversified category composition,It also provides the audience with more possibilities for viewing the film.Throughout the development of domestic crime films,it is not difficult to see that the current development of the film market in China is the most favorable period in the development of domestic crime films,and the inclusiveness of the film market.The audience’s aesthetic transformation and the collective power of the new generation director provide strong support for the development of domestic crime films.From 20 After the signing of CEPA in 2003,the classic police bandits of Hong Kong film entered the domestic film market and became the stable level of style in the category of crime film.In addition,in order to explore the connotation of human nature in crime events and behaviors,crime films that focus on literature and art of social issues have also generated a cluster,and the director of "the New Generation" has also set foot in the shooting of crime films with personal exploration eyes.Present a different "texture".This makes the new decade of domestic crime films show a more diversified image characteristics.This paper is divided into three parts: introduction,subject and conclusion.The introduction part through the existing literature collation collection,the domestic crime film research present situation carries on the comb;The main part is divided into five chapters.The first chapter is about the situation of domestic crime film creation in the new decade,mainly on the phenomenon,production scale,the performance of the court line and the award-winning situation of the domestic crime film in the new decade.In order to find out the characteristics of domestic crime films in the new decade,and to expound the existing domestic crime films.Chapter two: the literary and art-type crime films of the new decade,mainly focusing on the representative image texts of the new decade.This paper discusses the development process and image characteristics of domestic crime films in this category.Through the historical generation of literary and art films and the phenomenon of "literary film returning",this paper puts forward some thoughts on the present situation and development of literary-art-type crime films.In the third chapter,the author-type crime films in the new decade,taking the representatives of young directors of different generations as examples,try to point out the different characteristics of their writers’ characteristics,and then summarize the characteristics and development of the domestic crime films in this category.Chapter IV Commercial crime films in the new decade,combining with the film tradition of Hong Kong police bandits,this paper makes a comparative analysis of Hong Kong police bandit films,co-productions and major crime films,and at the same time makes a comparative analysis of the domestic series of films appearing in the Chinese film market Crime films such as "wiretapping" shivering "and other phenomena are analyzed,trying to find out the current film market in the creative characteristics of crime films and changes in commercial aspirations;The fifth chapter is the development prospect of domestic crime film.Through the typing experience of South Korea and Hollywood,this paper discusses the development direction of domestic crime film,and ponders and explores the way of its classic,brand and localization.At the same time,according to the different characteristics of three categories,different development emphasis is put forward,and the prospect of domestic crime films is put forward.Although the rise of domestic crime films is a new phenomenon in recent years,it has attracted wide attention in a short period of time.With the gradual improvement of Chinese film market,crime film has gradually become an important one-dimension in the process of Chinese film,so it needs to be classified consciously and purposefully.This paper explores the reasons for the rise of domestic crime films,and the existence of diversification,and prospects for the development of crime films in China.