A Study On The New History Of The Landscape Paintings Of The Landscape Paintings In The 1950s And 1960s

In the early 20 th century,social activists and painters saw the ancient "four kings" style that hindered the development and progress of Chinese painting since the Ming and Qing dynasties.After studied in Europe and Japan,they vigorously advocated the introduction of Western aesthetic thoughts and painting concepts to transform traditional Chinese painting.For the practical development of Chinese painting,they proposed a series of transformation methods.The actions caused the landscape painter to think about how the landscape painting can serve the people to meet the political needs after the founding of the People’s Republic of China.The new era,the new society,and the new atmosphere have put forward new requirements for the development of landscape painting.The painter actively responds to the call of the state,and carried out sketches through deep life to explore the new landscape paintings,and to achieve the purpose of promoting the development of landscape painting with the purpose and requirements of seeking new ideas.In order to give play to the grand narrative scene of landscape painting,the new transformation of Chinese painting was realized in the process of absorbing Western aesthetic thoughts and plastic arts.Before the establishment of the People’s Republic of China,there were many comments about the transformation of landscape paintings,but they were mostly related to the theoretical or practical level.The traditional painting method used to represent the frontiers and peasant life,and did not fundamentally change the face of the ancient "four kings" style.After the establishmentof the People’s Republic of China,the new transformation of landscape paintings was under the background of new and old.The painters used sketching as a way to go deep into life and sketch,so that the landscape paintings were changed the old looks,and they were presented in front of the world and received the approval of the society.This paperis mainlyaboutthe "regional painting school"," painting from life" and " renovate " of landscape painting in the 1950s-1969 period(1950--1969),and takes the landscape painting process of landscape painters as the research object.From these aspect,the social appeal,the call of the times,and the follow-up of the painter;this article aims toexplore why the painters used travel sketches as a strong support for the transformation of landscape paintings,and how to promotes the development of landscape painting.In the 1930 s,Hu Peiheng advocated the painting of ancient law,which formed the Jing School and the Lingnan School of Painting.In the 1950 s,the new Jinling School and the Changan School of Painting rose successively.In the process of promoting landscape painting,there has been a debate on the inheritance of heritage,the use of Western painting to change traditional Chinese painting,and the expression of painting to adapt to the needs of today’s society.At the same time,the sketching activities gradually spread,making a useful exploration of the generalization and grasp of the laws of nature,the discovery and expression of natural scenes,and the bursting and transmission of natural feelings.This paper analyzes and studies the new process of landscape painting in the landscape paintings of the 1950 s and 1960 s,and compares the sketching activities,the horizontal analysis and the different stages of the contemporary landscape paintings with phase contrast,image analysis and literature research.The new achievements of the landscape paintings of the landscape paintings make a correct interpretation of the breakthroughs and achievements made by the landscape painters in the 1950 s and 1960 s in terms of landscape painting.It is correct to prove the development of landscape painting in this particular era.It helps to restore the original appearance of landscape painting in the 1950 s and 1960 s,and highlights the development of landscape painting in terms of content,subject matter,ink,composition and color in certain circumstances.New look.It reminds me of the practical significance of the regional painting school’s sketching activities and the thinking of learning landscape painting.