| At the beginning of the founding of New China,the state promoted the literary principles and policies since the Yan’an period,requiring art to serve the workers,peasants and soldiers,serve socialism,strengthen the political propaganda role of art,and create special works of art in that "big age".--"Red" series of works of art.This paper maining focus on the creative ideas of Shi Lu’s "red" theme landscape painting and the artistic features and expressions of landscape painting language.The article begins with the reason why Shi Lu created the "red" theme,systematically expounds that Shi Lu combines the essence of traditional Chinese painting with the Marxist dialectical thought he has learned,and innovatively integrates the two into his own creation.It has formed a combination of political themes and landscape painting creations,and has achieved extremely high artistic attainments in painting theory and actual creation.Through the arguments of management schema,pen and ink language,coloring language,etc.,I analyze the classic "red" theme landscape painting "Moved To North Shaanxi" and "On The Way To Nanniwan ".The fourth chapter expounds the innovative significance of Shilu’s "red" theme landscape painting.Shi Lu innovatively depicts the unique geographical environment and political connotation of the Loess Plateau.It is completely different from the northern rocky peaks and the southern grassy mountains,expanding a vacancy in painting history.Shi Lu’s creative declaration of "One hand extends to tradition and the other to life" has also become the main creative proverbs of the “Changan Painting School”,which has a positive impact on the final distinctive individual characteristics of the "Changan Painting School",Presenting the characteristics of boundless,or magnificent,or quiet and free and easy personality. |
